Masters+of+cinema

In 1917 a 21 year old Buster Keaton walked on to a film set for the very first time and without a single retake made his screen debut in a comedy sketch in Arbuckle's 'The Butcher Boy'. This collection includes 13 of the 14 films that Arbuckle and Keaton made together (one remains lost) and all of the 19 independent shorts Buster made after getting his own studio in 1920. It charts Buster's early development as one of the greatest performers and directors in the history of film comedy.

Reuniting the star and director of Das Cabinet des Dr. Caligari, The Hands of Orlac [Orlac’s Hände] is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of German Expressionism.
Based on a novel by medical-horror novelist Maurice Renard, it charts the mental disintegration of a concert pianist (Conrad Veidt) whose hands are amputated after a train crash, and replaced with the hands of an executed murderer. When Orlac’s father is murdered by the dead man’s hands, Orlac begins a steady descent towards madness.

Reuniting the star and director of Das Cabinet des Dr. Caligari, The Hands of Orlac [Orlac’s Hände] is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of German Expressionism.
Based on a novel by medical-horror novelist Maurice Renard, it charts the mental disintegration of a concert pianist (Conrad Veidt) whose hands are amputated after a train crash, and replaced with the hands of an executed murderer. When Orlac’s father is murdered by the dead man’s hands, Orlac begins a steady descent towards madness.

In 1917 a 21 year old Buster Keaton walked on to a film set for the very first time and without a single retake made his screen debut in a comedy sketch in Arbuckle's 'The Butcher Boy'. This collection includes 13 of the 14 films that Arbuckle and Keaton made together (one remains lost) and all of the 19 independent shorts Buster made after getting his own studio in 1920. It charts Buster's early development as one of the greatest performers and directors in the history of film comedy.

Reuniting the star and director of Das Cabinet des Dr. Caligari, The Hands of Orlac [Orlac’s Hände] is a deliciously twisted thriller that blends grand guignol thrills with the visual and performance styles of German Expressionism.
Based on a novel by medical-horror novelist Maurice Renard, it charts the mental disintegration of a concert pianist (Conrad Veidt) whose hands are amputated after a train crash, and replaced with the hands of an executed murderer. When Orlac’s father is murdered by the dead man’s hands, Orlac begins a steady descent towards madness.

The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors’ films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics.