The heroine dies. Not of a deadly disease, not of a broken heart, not in ecstasy nor by her own hand. There is no final aria, no perpetual drawing-out of the last breath, no resounding lament, no congregation of mourners. Only briefly does the music echo bygone happiness.’* This might sum up Janácek’s enchanting opera, recorded live in the usual top quality at Frankfurt Opera in April/May 2016.