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BAFTA award winning actor Matt Berry returns with Television Themes. Inspired by his youth, it's a collection of TV theme tunes that have not only influenced Berry but undergone a fascinating and unique metamorphosis under his musical stewardship. Television Themes was recorded on his own and with his regular band The Maypoles in his newly built studio. It includes favorites from the '60s, '70s, and '80s such as Are You Being Served? and Rainbow alongside lesser known themes from Picture Box and Wildtrak amidst those that transcend the decades, Doctor Who and Top Of The Pops. Combining his love of music production and his passion for the 'signature tune', Television Themes sees Berry enhance his musical reputation following the success of his previous releases encapsulating Berry's formative years as a viewer and paired with his boundless appetite for music.

Matt Monro was a regular feature of the British singles charts between 1960 and 1965, after which he had only one other UK hit (And you smiled, a top thirty entry in 1973, not released on an original album, only on compilations). Despite the lack of hits, Matt's music remained popular with adult audiences. So there are none of Matt's own hits on the two albums presented here, but you'll find plenty of familiar (and not-so-familiar) songs via Matt's covers of pop songs from the sixties and early seventies, as well as older songs from the Great American Songbook.

Where once was Superwolf, now roam Superwolves, the new album and demon spawn of Matt Sweeney and Bonnie ‘Prince’ Billy.

Serpentine Prison, the debut solo record from Matt Berninger—front man of internationally acclaimed group The National. It's soulful,poetic and understated. The album, produced by renowned Memphis multi-instrumentalist Booker T. Jones (of Booker T. and The MG’s fame) and released via Book Records, a new imprint formed by Berninger and Jones in conjunction with Concord Records.

Matt Andersen's eighth studio album finds him featuring his own songwriting skills, and also his versatility, as the award-winning Canadian guitarist shows that there's more to his sound than the blues. Produced by Steve Berlin, Weightless branches off into R&B, reggae, and rockabilly rhythms, and with Calgary guitarist Paul Rigby on board, it's less about soaring guitar leads and more about tight, scrappy guitar arrangements that make this arguably Andersen's best, broadest, and most commercially accessible album.