Matthew Restall Blue Moves

Singer Jeanine Mackie has been working the Toronto club scene for many years. In fact, she fronts her own R&B band. But there's more to Ms Mackie than meets the eye, or the ear as it were. Because she's also a marvelous, cool-toned jazz singer - and that's the talent on display on "The Night We Called It a Day," Blue Martini Jazz's debut album.

While the speed-freak adrenaline heaviness and shrouded occult mystery of Tyranny and Mutation is the watermark for Blue Öyster Cult's creative invention, it is Secret Treaties that is widely and critically regarded as the band's classic. Issued in 1974, Secret Treaties is the purest distillation of all of BÖC's strengths. Here the songs are expansive, and lush in their textures. The flamboyance is all here, and so are the overdriven guitar riffs provided by Buck Dharma and Eric Bloom. But there is something else, texturally, that moves these songs out from the blackness and into the shadows.

This second volume of Trombone Travels (Volume 1 is on 8574093) continues with Matthew Gee’s exploration of three great cycles of early 20th-century British song. Elgar’s Sea Pictures evoke lullaby and turbulence alike, Vaughan Williams’s Songs of Travel chart a wanderer’s lonely journey through the landscape, and in Songs of the Sea Stanford’s music embraces both the sombre and the exhilarating, with Gee joined by a trombone chorus to emulate the male voice choir. Throughout the recital Gee lavishes colouristic effects, the use of mutes, and subtle inflections that reinforce the trombone’s unique ability to mimic vocal techniques.

Russia’s rich tradition of art song began with early 19th-century salon pieces: lyrical ‘romances’ that evolved to embrace grander themes yet never lost their intimacy. This selection explores some fascinating but less-trodden paths through this repertoire, inspired by the theme of distant lands and encompassing the enduring themes of travel, romantic landscapes, love and loss, life and death. In this recital, Borodin meets Taneyev, a Moscow composition professor from the next generation; Shostakovich stands alongside another major symphonist, his Moscow colleague Myaskovsky, and Shostakovich’s student Boris Tchaikovsky, a prodigy widely known for his film music, passes the baton to Elena Firsova, a post-Soviet émigré to England and a distinctive lyrical voice of today. Inspired by the songs of Taneyev, Myaskovksy and Firsova, countertenor Hamish McLaren embarked on distant travels of his own, journeying to Russia where he found two previously unreleased film songs by Shostakovich, heard here in their world-premiere recordings.

We are very happy to announce, that due to popular demand, Matthew Halsall’s 2011 award-winning album, ON THE GO, is being issued for the first time on vinyl (2xLP), including three (never heard before) bonus tracks. The album has been specially remixed and remastered by Matthew Halsall and George Atkins at 80 Hertz. The release is available on LP/CD/DL formats.

Matthew Sweet's essential 1991 power-pop tour-de-force gets its high-res due on Intervention's Expanded Edition release. In addition to including the original CD release's 15 tracks, this hybrid CD/SACD includes three demo tracks not included on the original release- "Good Friend," "Superdeformed" and "Teenage Female."

Matthew Shipp (piano), John Butcher (saxophones) and Thomas Lehn (electronics) in a studio album recorded in France in 2017, a uniquely voiced collective trio of transformative improvisation, Lehn's additions and modifications blending perfectly with Shipp's solid foundations and Butcher's advanced technical expression, for an engrossing and expressive set of recordings.