“Indisputably the most consummate artist in the history of the classical trumpet,” was how Gramophone described Maurice André, a musician characterised by both brilliance and refinement. These six CDs, which give pride of place to music from the 18th and 20th centuries, complement some of the most popular concertos ever written for trumpet with an enticing and fascinating selection of rarely-heard works.
One of the very rare incursions of Riccardo Muti in pre-romantic repertoire, and featuring trumpetist Maurice André, this album gathers together two heavyweights in their discipline. It includes masterpieces of the trumpet concerto (with notably a virtuoso transcription of a violin concerto by Torelli) and the second Brandenburg Concerto, in which the trumpet holds a prominent place.
Maurice André rightly earned the reputation of being one of the finest trumpet virtuosos from the 20th and 21st centuries. He made numerous concert appearances and recordings and inspired composers like Blacher, Jolivet, and Tomasi to write major works for his instrument.
It goes without saying that Maurice Andre is one of the greatest trumpet players of the 20th century. This particular CD is a compilation of pieces originally written for the Oboe and transcribed for Trumpet. While some purists may scoff at this the linear notes do a good job of providing musical justification for this act.
Jean-François Paillard leads his chamber orchestra in this reference recording of Couperin's "Les Nations". "Les Nations" is a vast project in which the virtues of both the French and Italian styles are set next to each other. Each of the four ordres celebrates a Catholic power of Europe – France, Spain, the Holy Roman Empire and the Savoy dynasty of Piedmont – and each is a combination of an Italianate trio sonata with its free-form virtuosity and a large-scale and elaborate French dance suite.
André Cluytens, though born in Belgium, achieved fame as one of the supreme French conductors of his era, renowned for his refinement and the sheer joy of his music-making. In the mid-20th century he built a substantial, varied and distinguished discography and became the first conductor to record the complete Beethoven symphonies with the Berliner Philharmoniker. This 64-disc set, uniting all his recordings of orchestral, concerto and choral repertoire, embraces the mainstream and the esoteric, and includes numerous items making their debut on CD or retrieved from the archives and released for the very first time.