Maurizio Bling

The great Italian legend of the piano Maurizio Pollini sadly passed-away earlier this year, on 23rdMarch 2024. This album recorded together with his son Daniele, is dedicated to three different aspects of Schubert's piano oeuvre covering: the sonatas, the collections of short pieces, and music for four hands. The first time that both musicians performed a piano work for four hands: Schubert's great F minor Fantasy. The release is accompanied by a 16-page booklet with an essay by Maurizio Pollini's long-time companion Paolo Petazzi.

Maurizio Pollini's second Deutsche Grammophon release with Christian Thielemann and the Staatskapelle Dresden is a live concert recording of Johannes Brahms' Piano Concerto No. 2, a fitting follow-up to his successful 2011 CD of the Piano Concerto No. 1 in D minor. That recording marked Pollini's triumphant return to Dresden, but this 2013 recording is less about the significance of the concert and more about the consolidation of Pollini's working relationship with Thielemann and the orchestra.

Here's the kind of big-name, big-budget Mozart concerto recording that's not as common as it used to be. And lo, even one of the giants of contemporary pianism shows signs of having encountered the leaner approach of historical performances, and even of having absorbed them. Maurizio Pollini, best known for Chopin and the other lyric Romantics, conducts the Vienna Philharmonic Orchestra from the keyboard.

This review is my celebration of two anniversaries. Composer Frederic Chopin was born 200 years ago, and this recording was made 50 years ago today. Chopin's piano concerto in F minor op 11, while carrying the number 1, was actually his second piano concerto. In any case it has always been my favorite of the two. The first maovement (allegro maestoso risoluto) contains a lenghthy (four minutes here) orchestral introduction and is by far the longest of the movements.

Originally released between 1976 and 2007, the offerings in this eight-CD box set represent Maurizio Pollini's exemplary concerto recordings for Deutsche Grammophon, including all of Ludwig van Beethoven's cycle, the two piano concertos by Johannes Brahms, and six of Wolfgang Amadeus Mozart's masterpieces in performances that rank among the pianist's finest.