Max Tegmark L'universo Matematico

The unique collaboration stemmed from a suggestion by the film’s director Johan Renck, with Richter creating the music for the track before Sparks contributed melody and lyrics to create the melancholic finale to the film’s soundtrack.

The unique collaboration stemmed from a suggestion by the film’s director Johan Renck, with Richter creating the music for the track before Sparks contributed melody and lyrics to create the melancholic finale to the film’s soundtrack.

1955 album by the Clifford Brown and Max Roach Quintet, described by The New York Times as "perhaps the definitive bop group until Mr. Brown's fatal automobile accident in 1956". The album was critically well-received and includes several notable tracks, including two that have since become jazz standards. The album was inducted into the Grammy Hall of Fame in 1999. It is included in Jazz: A Critic's Guide to the 100 Most Important Recordings at #34, where it is described by New York Times jazz critic Ben Ratliff as "one of the strongest studio albums up to that time". The majority of the sessions that comprise this album were recorded at Capitol Studios in Hollywood in August 1954. Two of the tracks were recorded in February 1955 at Capitol Studios in New York City. Originally released on the EmArcy label, it has been multiply re-issued, including in a 2000 edition by Verve Records that contains additional tracks.

Combining classical discipline with the inventive spirit of electronic music, Max Richter speaks to – and frequently critiques – 21st century life with evocative elegance. On early masterworks such as 2002's Memoryhouse and 2003's The Blue Notebooks, the composer and producer united his childhood memories and commentary on war's devastating aftermath into gorgeous, aching music; with 2015's eight-hour Sleep, he challenged the increasing disposability of art and music as well as audiences' ever-decreasing attention spans. Richter's fascination with the growing role of technology in everyday life was a major theme of releases spanning 2008's collection of bespoke ringtones to the music for a particularly paranoid 2016 episode of the TV series Black Mirror. Despite the high-concept nature of much of his work, Richter always maintains a powerful emotional connection with his listeners. 2012's Recomposed: The Four Seasons, an experimental reimagining of Vivaldi's violin concertos, topped classical charts in over 20 countries. The emotive quality of his music translated perfectly to scoring and soundtrack work, which ranged from documentaries such as Waltz with Bashir (2008); feature films including Ad Astra (2019); television series like Invasion (2021); and stage productions including Infra (2008) and Woolf Works (2015), both projects with Richter's longtime collaborator, choreographer Wayne McGregor. Richter's mix of modern composition, electronic music, and field recordings – which he revisited on 2024's In a Landscape – was as influential as it was innovative, paving the way for artists such as Nico Muhly and Jóhann Jóhannsson.

Original Motion Picture Soundtrack for the film Black Site (2018). The music by Max Sweiry, Simon Martins, and Joe Froud. Black Site is a 2018 action science fiction film written and directed by Tom Paton, starring – Sophia Del Pizzo, Lauren Ashley Carter, Jessica-Jane Stafford, Henry Douthwaite, Samantha Schnitzler, Bentley Kalu, Angela Dixon, Alana Wallace, Phoebe Robinson-Galvin, Toby Osmond, Kris Johnson, Mike Beckingham.

Having multiplied the artistic collaborations which have led him to improvised music. drummer and composer Max Hartock releases his first album. Called "West Indies" in reference to the distant Caribbean, the quartet he founded escapes there at the gates of modern jazz guided above all by melody. The album displays a solar, naive, always sincere musicality. A discovery made in Sunset.

Ava Max is ready to take her already extraordinary rise to the pinnacle of pop success to even greater heights with her second studio album 'Diamonds and Dancefloors'.