Mccoy Tyner Freddie Hubbard Quartet Like at Fabrik

This set matches the McCoy Tyner Trio (which includes bassist Cecil McBee and drummer Al Foster) with four different guests. Altoist Arthur Blythe and vibraphonist Bobby Hutcherson fare best but both trumpeter Freddie Hubbard and guitarist John Abercrombie also have their strong moments. In addition to four Tyner compositions, there is one song apiece from McBee, Abercrombie, and Hutcherson in addition to four jazz standards. This collection is a fine all-around showcase for the brilliant pianist even if no new ground is broken.

McCoy Tyner - Atlantis (1974) {2CD Milestone Japanese Issue VDJ-25031~32}
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© 1974, 1989 Milestone / Victor Japan | VDJ-25031~32
Jazz / Post Bop / Piano / Saxophone

One of a series of terrific albums he made for Milestone in the '70s. This is a 2xCD Japanese issue that mirrors the original 2xLP release on vinyl. Does it sound better than the later single CD remaster?…..who knows! Pianist McCoy Tyner's 1974 quintet consisted of the talented youngster Azar Lawrence on tenor and soprano, bassist Joony Booth, drummer Wilby Fletcher and percussionist Guilherme Franco. As is accurately stated in the new liner notes by Neil Tesser, Atlantis was the final recording from Tyner's last band to be based on the music of his former boss, John Coltrane.

Here are assembled five classic albums from the narrow band of just a few years, an indication of the amazing prolific talents. There is Open Sesame, originally released in 1960; Goin' Up (1961); Hub Cap (1961); Ready for Freddie (1962); Hub-Tones (1963). The list of accompanying musicians is veritably Olympian - Herbie Hancock, Cedar Walton and McCoy Tyner on various pianos, Philly Joe Jones on drums, Hank Mobley on tenor sax, Paul Chambers on bass and so on.

This CD, Freddie Hubbard's last Blue Note release of the 1960s (with the exception of the blowing session The Night of the Cookers), adds two numbers to the original LP program and features the great trumpeter in three challenging settings ranging from a sextet to an octet. Hubbard uses such sidemen as altoist James Spaulding, tenors Joe Henderson and Hank Mobley, the euphonium of Kiane Zawadi, pianists Harold Mabern, McCoy Tyner and Herbie Hancock, bassists Larry Ridley, Bob Cranshaw and Reggie Workman, drummers Clifford Jarvis, Pete La Roca and Elvin Jones, the congas of Big Black and on one song bassoonist Hosea Taylor. The set is comprised of seven diverse Hubbard originals and, even though none of the songs caught on to become standards, the music is quite challenging and fairly memorable.

Time for Tyner is the ninth album by jazz pianist McCoy Tyner and his third released on the Blue Note label. It was recorded in May 1968 and features performances by Tyner with Bobby Hutcherson, Herbie Lewis and Freddie Waits. The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" calling it "a powerhouse performance from first to last." The Allmusic review by Scott Yanow calls the album "A fine all-round showcase for McCoy Tyner in the late '60s".

McCoy Tyner Trio - Inception / Reaching Fourth (1962-63) {Impulse! 2-on-1 Series Remaster rel 2011}
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© 2011 Impulse! / Verve / Universal Music | 06007 5334721
Jazz / Post Bop / Modal Music / Hard Bop / Piano Trio

This release contains McCoy Tyner’s first two albums as a leader, Inception (Impulse AS-18) and Reaching Fourth (Impulse AS-33) in their entirety. Both LPs present the pianist in a trio format backed by such expert musicians as bassists Art Davis and Henry Grimes, and drummers Elvin Jones and Roy Haynes. McCoy's lush, rippling piano helped make masterpieces out of several 1960-65 John Coltrane albums. During that time, he established himself as a leader with his magnificent Impulse! LPs Inception ('62) and Reaching Fourth ('63); his trio dazzles on the two Tyner-penned title tracks plus Theme for Ernie; Old Devil Moon; Blues for Gwen; Sunset; Effendi , and more!