On 2018’s Chris, French singer-songwriter Héloïse Adelaïde Letissier embodied a masculine alter ego to cover a variety of subjects. With this five-track follow-up EP, Letissier leaves the Chris persona behind and gets a little more personal. On “Je disparais dans tes bras” [“I disappear in your arms”], she rejects a lover’s mixed messages over a kinetic beat—doubling down on 2019’s dance-floor sizzler with Charli XCX “Gone.” “People, I’ve been sad” and “Nada” are more measured and thoughtful, with Letissier opening up about painful childhood memories and heartbreak with vulnerability. She sings, “Voglio fare l'amore con questa canzone” [“I want to make love with this song”] in Italian on the bubbly, synth-driven title track featuring Caroline Polachek, exuding a playfulness that is hard to resist.
Deluxe, redux reissue of the Dwarves' 2004 magnum opus, The Dwarves Must Die. Originally released on Sympathy for the Record Industry and long out of print, this reissue compiles the whole album plus two awesome bonus tracks. Full bore punk rock meets noise and garage rock and all the sleaze you fit on a 5 inch piece of shiny plastic. Features guest spots from Dexter Holland from The Offspring, Nash Kato from Urge Overkill, desert rock icon Nick Oliveri, Josh Freese from The Vandals, Spike from Me First and the Gimme Gimmes and more.
As a longtime member of one of the groups that helped create heavy metal (Deep Purple, for the uninitiated), it's understandable to expect a solo outing by bassist Roger Glover to be geared toward headbangers. But as evidenced by his fifth solo album overall, 2011's If Life Was Easy, Glover has opted to follow a bluesier, roots rocky path. Which is understandable, because the whole point of doing a solo album should be to step out from under Purple's high-decibel shadow. As a case in point, a pair of tunes feature Glover's daughter Gillian Glover on vocals: "Set Your Imagination Free" and "Get Away (Can't Let You)," with the former falling in "ballad" category while the latter is a blues-rocker with blaring horn work.
As a longtime member of one of the groups that helped create heavy metal (Deep Purple, for the uninitiated), it's understandable to expect a solo outing by bassist Roger Glover to be geared toward headbangers. But as evidenced by his fifth solo album overall, 2011's If Life Was Easy, Glover has opted to follow a bluesier, roots rocky path. Which is understandable, because the whole point of doing a solo album should be to step out from under Purple's high-decibel shadow. As a case in point, a pair of tunes feature Glover's daughter Gillian Glover on vocals: "Set Your Imagination Free" and "Get Away (Can't Let You)," with the former falling in "ballad" category while the latter is a blues-rocker with blaring horn work.
Afters is a 1980 compilation album released by Canterbury scene band Hatfield and the North. Of the sixteen tracks, eleven are taken from the band's two studio albums Hatfield and the North and The Rotters' Club, three are live recordings, and the two remaining songs are those from their 1974 single "Let's Eat (Real Soon) / Fitter Stoke Has a Bath".
Emerging from the Canterbury, England musical community that also launched Gong and Kevin Ayers' the Whole World, the whimsical progressive rock unit Hatfield and the North formed in 1972. Named in honor of a motorway sign outside of London, the group's founding membership brought together a who's who of the Canterbury art rock scene - vocalist/bassist Richard Sinclair was a former member of Caravan, guitarist Phil Miller had tenured with Robert Wyatt in Matching Mole, and drummer Pip Pyle had served with both Gong and Delivery…
Live 1990 is a live album released by a reformed line-up of Canterbury scene band Hatfield and the North. This marked the band's first manifestation since its 1975 break-up. Original keyboard player Dave Stewart declined to take part and was replaced by French jazz pianist Sophia Domancich, at the time a member of drummer Pip Pyle's band Equip'Out. This line-up's activity was limited to this one appearance on Central TV's "Bedrock" series. In addition to a number of tracks from the band's classic repertoire, a large part of the concert was devoted to more recent material. This was to be Hatfield's swansong until the 2005-06 reformation.