Measure What Matters: How Google, Bono, And The Gates Foundation Rock The World With Okr

From the beloved and trusted JUST THE HITS range, comes an inarguably groovy decade-based addition – THE SEVENTIES! An unmistakably value-packed, hit-laden, all-killer collection of highly recognisable, well-loved and anthemic tracks from the decade that provided the world with some of the most loved and enduring anthems of the ages. The tracklist features a superstar rollcall of artists and their mega-hits – from ABBA to Elton John, Neil Diamond to Blondie, alongside Motown classics (Jackson 5, Marvin Gaye, Stevie Wonder, Rick James and The Commodores) further imbued with Australian classics from Helen Reddy, Cold Chisel, Little River Band, Aussie Crawl and many many more!

Ryan McGarvey has in a relatively short amount of time not only gained an international fan base, but admiration from his personal idols as well. In the past few years of Ryan's career he has had the honor, and the pleasure of sharing the bill with such top name act's as Eric Clapton, Jeff Beck, B.B. King, Joe Bonamassa, Gov't Mule, and many, many more. His debut CD release "Forward In Reverse" reached the top 20 (out of over 200,000 Artist's CD's) on the best sellers list on CDBaby.com (The worlds largest online independent distributor). With rave reviews complimenting everything from his fiery guitar chops, which range from everything from delta slide to heavy rock, his unique vocals, or mature songwriting skills, Ryan McGarvey's live shows will leave you breathless and wanting more…

As with most every Leonard Cohen album, a new record means a new means of musical exploration. With The Future, Cohen adds chiming synthesizers and eerie orchestrations to his brooding anthems about life's darker half. One of the last of Cohen's full-length albums, The Future is definitely one of the most direct…

Delivering a political album is always risky, with the possibility that it will get locked in its historical era usually a direct consequence. On their 18th album, prog rockers Marillion don't seem to care, and they have nothing to lose and no one to account to but themselves. FEAR is an acronym for "Fuck Everybody and Run." Two of its three lengthy, multi-part suites ("El Dorado" and "The New Kings") are overtly political statements that look at England and the calamitous state of the world not only observationally but experientially. Topical songs have been part of the band's catalog as far back as 1984's "Fugazi," and have shown up as recently as the multi-part "Gaza," from 2012's Sounds That Can't Be Made (the latter was perhaps an impetus for this record)…