This final LOiseau-Lyre set presents some of the most significant Medieval & Renaissance albums recorded by one of the most authoritative Early Music labels.
With this special edition for the English-speaking countries (2 CDs & 100 pages booklet, in two different editions: Spanish or English), Cantus tries to fill an important gap. Given that our most important aim is the diffusion of early music through recordings of the highest musical quality, presented with booklets containing the best possible essays (informative, accessible, readable, updated), we felt that preparing this dictionary (or guide) on the most important instruments used during the Middle Ages and the Renaissance could be useful and important.
David Munrow was a major British music historian who started The Early Music Consort of London with Christopher Hogwood. Monroe also published a number scholarly works on Early Music. One of Munrow's early passions was the study of early musical instruments which he collected until this his death, and are now part of his historical archives. Monroe began a project to make recordings of musical instruments from the Medieval and Renaissance Periods during 1973-74. Munrow was himself was a respected musician in own right on the instruments of the period, and played many of the included examples himself.
This disc consists of 22 landmark selections from Hesperion XX's various programs of music of the 12th to 14th centuries. Notable composers represented: Alfonso X El Sabio, Guillame Dufay, Eustache Du Caurroy, Orlando Lasso, Francisco Guerrero, Christopher Tye and Cristobal De Morales; several anonymous works included also.
I admit it was the cover that got my attention–first, the title, referring to an 1120-page manuscript collection containing the only existing original copies of pre-Reformation liturgical music from Nuremburg; second, the illustration, an illumination from the collection that depicts a wolf directing a choir of geese singing from a large music book, a hungry-looking fox sitting on hind-quarters just behind the choir. Upon listening to the music, I was reassured that there was more to appreciate here than the intriguing, colorful illustration and charming title.
In 1613 Robert ap Huw of Anglesey copied part of William Penllyn’s manuscript of harp tablature. This is the earliest surviving body of European harp music and contains Welsh bardic harp music from the 14th – 16th centuries. A combination of scholarship and imagination has enabled the reconstruction and interpretation of this unique music, played on historical harps.
Originally issued in the Century series in 2005, this EARLYMUSIC set by the artists of harmonia mundi now returns to invite you to travel the centuries in music. In 10 CDs and more than 12 hours listening, this unique guide will allow you to (re)discover the music of the past and develop your musical knowledge. Each CD is accompanied by a detailed booklet dealing with the musical, historical and geographical context, closely linked with key elements from the visual arts of the appropriate period. From the ancient world to 1600: the pleasure of discovery is complete, for eyes and ears alike!