Megan Rose And Orion Foxwood

Those with a just a passing interest in roots reggae are generally aware of Michael Rose's Grammy-winning group Black Uhuru, but the man himself doesn't have the same name recognition. With any luck, the grand Happiness: The Best of Michael Rose will change all that. A solo artist well before Uhuru, Michael Rose's output has equaled – and arguably topped – his work with Uhuru, and Happiness does a great job of representing. Kicking off with the original version of "Guess Who's Coming to Dinner" and ending with the brilliant/quirky Fat Eyes production "Rough Life," Happiness brings to mind the mighty Bob Marley Legend compilation with its filler-free track listing. Just like Legend, Happiness is only an introduction to Rose, and while the man has released too many great, fully formed albums to say this is definitive, Happiness only misses the extended 12" side of his career and covers everything else splendidly.

A typical organ-led instrumental rock album from 1970, On the Way to Eden was Eden Rose's sole LP. Despite the strong filiation between Eden Rose and Sandrose (both groups have the same lineup), the two of them could hardly be more different. Instead of the latter's symphonic progressive rock, Eden Rose's music is a bluesy kind of rock influenced by Procol Harum, Savoy Brown, and early Atomic Rooster. Keyboardist Henri Garella runs the show, penning down all the tracks and playing lead. A very good organist (and already a sought-after session man at the time), he plays fast solos, knows how to make his chords sound dirty (and/or cheesy), and how to groove on the Hammond, but his writing cruelly lacks originality…

Anyone recognizing original songwriting performed with some of the best musicians will be positively surprised by this masterpiece, partially produced by George Duke. The genius of Thomas Koppel in music and arrangement is evident in these original tracks, and the lyrics and vocal performance by Annisette is powerful and moving…