Limited Edition 2CD Set of unreleased recordings. Treehouse 44 release the first known recordings by British folk guitar hero Michael Chapman. Previously unreleased, these are the earliest known recordings of this great British guitar hero, or as Michael Chapman calls it "The album I had no idea I had made!" This follows on the heels of Light in The Attic'c catalogue re-issue programme. TreeHouse44 has worked closely with Michael Chapman, being allowed full access to his private archive, to produce a unique album that captures the earliest stages in the career of this phenomenal artist. The story of how Michael Chapman turned pro as a musician, walking into a Cornish pub and offering to play a gig in return for shelter from the rain outside is both well known and well told.
Neo Ouija takes the platter and spins it with their own textural funk on Cottage Industries 7. Cottage Industries 7 contains a wide range of beautiful electronics from relatively unknown and known musicians from around the world. The music fills the void that experimental electronic music seems to leave wide open. Rather than scratching your head at the end of this 73 minute excursion, you’re forced to think, relax, and sit back to contemplate. It becomes quite an adventure when music takes a new shape and form and Cottage Industries 7 makes that possible by allowing 14 different artists to create their own atmosphere’s and textures.
Neo Ouija takes the platter and spins it with their own textural funk on Cottage Industries 6. Cottage Industries 6 contains a wide range of beautiful electronics from relatively unknown and known musicians from around the world. The music fills the void that experimental electronic music seems to leave wide open. Rather than scratching your head at the end of this 67 minute excursion, you’re forced to think, relax, and sit back to contemplate. It becomes quite an adventure when music takes a new shape and form and Cottage Industries 6 makes that possible by allowing 14 different artists to create their own atmosphere’s and textures.
Two Mercury label country albums dating from 1972 and 1973. Both albums reached the Top 10 US Country chart, spawning the hits 'No More Hanging On', 'Sometimes A Memory Ain't Enough', 'I'm Left, You're Right, She's Gone' and 'Who's Gonna Play This Old Piano'. With his new biography getting rave reviews, Jerry Lee's profile is as huge as ever. Digitally remastered and slipcased, and with new notes by Andrew McRae.
Darker and more electronic than its debut, False Memory Archive is the second album from Norwegian post-progressives Oak.
"Memory Of The Future" is the third single from the album "Elysium".
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour. The duo navigated the constantly shifting landscape of modern dance-pop with grace and intelligence, moving easily from disco to house music to thoughtful synth pop without losing their distinctive style in the process…
The Memory of Trees is the fourth studio album by the Irish singer, songwriter, and musician Enya, released on 20 November 1995 by WEA. After travelling worldwide to promote her previous album Shepherd Moons (1991), and contributing to film soundtracks, Enya took a short break before she started writing and recording a new album in 1993 with her longtime recording partners, arranger and producer Nicky Ryan and his wife, lyricist Roma Ryan. The album is Enya's first to be recorded entirely in Ireland, and covers themes that include Irish and Druid mythology, the idea of one's home, journeys, religion, dreams and love. Enya continues to display her sound of multi-tracked vocals with keyboards and elements of Celtic and new age music, though Enya does not consider her music to be in the latter genre. She sings in English, Irish, Latin and Spanish.