Memphis Slim & Buddy Guy

In 1970, expatriate pianist Memphis Slim hooked up with fellow Chicago blues great Buddy Guy while the guitarist was touring Europe with the Rolling Stones, and recorded the tracks for South Side Reunion, originally released on Warner Bros. in 1972. Slim's rollicking piano and Guy's guitar-slinging prowess are complemented by Windy City musicians Phillip Guy, Ernest Johnson, and Roosevelt Shaw, plus saxophonists A.C. Reed and Jimmy Conley. While harpist Junior Wells (who was also part of the Stones tour) is listed as if he played a prominent role in this endeavor, he's only heard on the tracks "Good Time Charlie," "No," and "Help Me Some."

Cut at the 1974 Montreux Jazz Festival with Stones' bassist Bill Wyman anchoring the rhythm section, the set captures some of the ribald musical repartee that customarily distinguished the pairing of Buddy Guy and Junior Wells, though they certainly break no new ground as they roll through their signature songs.

Classic 1982 Chicago studio session also featuring Buddy Guy - plus stunning live tracks and previously unreleased three track studio session.

For more than 50 years, the towering and beloved Chicago piano patriarch Sunnyland Slim has rumbled the ivories around the Windy City, playing with virtually every local luminary imaginable and backing the great majority in the studio at one time or another. On this album originally recorded in Seattle on May 7th, 1976, he's joined by the rousing vocalist and dynamic entertainer 'Big Time' Sarah, who is among the more enterprising contemporary blues performers. She moved to Chicago from Coldwater, MS as a child, and sang in South Side gospel choirs before debuting as a blues vocalist on stage at Morgan's Lounge at 14. She later worked with Buddy Guy and Junior Wells, Johnny Bernard and Sunnyland Slim.

Accurately dubbed "the Queen of Chicago blues" (and sometimes just the blues in general), Koko Taylor helped keep the tradition of big-voiced, brassy female blues belters alive, recasting the spirits of early legends like Bessie Smith, Ma Rainey, Big Mama Thornton, and Memphis Minnie for the modern age. Taylor's rough, raw vocals were perfect for the swaggering new electrified era of the blues, and her massive hit "Wang Dang Doodle" served notice that male dominance in the blues wasn't as exclusive as it seemed. After a productive initial stint on Chess, Taylor spent several decades on the prominent contemporary blues label Alligator, going on to win more W.C. Handy Awards than any other female performer in history, and establishing herself as far and away the greatest female blues singer of her time. Collection includes: Koko Taylor (1969); South Side Lady (1973); I Got What It Takes (1975); The Earthshaker (1978); From The Heart Of A Woman (1981); Queen of the Blues (1985); Jump For Joy (1990).

Keeping Chicago Blues alive, Robbert Fossen & Peter Struijk, were the winners of the Dutch Blues Challenge 2012, and finalists at the International Blues Challenge in Memphis, in January 2013. Fossen is also nominated for the 2013 Blues Awards "Best Vocalist!" Influenced by legends such as Muddy Waters, Magic Slim, Buddy Guy, and Jerry Portnoy, Fossen plays "real deal Chicago blues." With bands like A Crossroads Deal and the Robbert Fossen Blues Band, he performed incessantly all over Europe, backing American blues artists such as John Primer, Tail Dragger, Chick Rodgers, Nick Holt, Charles Hayes, and T-Model Ford.

Die ultimative Blues Kollektion vom Mississippi bis in die Metropolen. In dieser Box befinden sich die Aufnahmen von 100 legendaren Bines Grossen. Die Stile, die Ausstrahlung, die Geschichten und naturlich die geniale Ausubung ihrer Kunst machten sie einzigartig und beeinflussten Generationen nachfolgender Kunstler. Die altesten Mitglieder wurden Ende des 19ten Jahrhunderts geboren, die jungsten unter ihnen spielen noch heute live in ausverkauften Hausern. Die Musik in dieser Box wird Sie befliueln oder erden, zum Tanzen oder Weinen bewegen. Egal oh Zweisamkeit oder in einsamen Stunden: eines ist sicher: Der Blues lebt weiter!