Masters of Classical Music is an informative and captivating guide to twenty of the most important works in music history. Outtakes from the original scores within the documentaries, assist the viewer by making it easier to follow the music and to overall comprehend the structure of the works. The viewer will travel back in time to experience the birth places of these compositions and will thereby gain insight into the lives of the composers whilst receiving a thorough introduction to the works.
The Daily Telegraph describes Nikolaj Znaider as "the most stimulating young musician playing today, drawing on musical intelligence, perception and dynamism to give performances of rare intensity." This release presents one of the world's foremost violinists playing two landmark concertos, accompanied by the Leipzig Gewandhausorchester "one of Europe's finest orchestras" (The Guardian) under the baton of its music director Riccardo Chailly.
Claudio Abbado (1933-2014) was one of the outstanding personalities in the history of the Berliner Philharmoniker. He made his debut with the orchestra in 1966 and was their chief conductor from 1990 to 2002. In May 2013, their unique partnership ended with Claudio Abbado's last concert with the orchestra – a “triumph”, in the words of the Frankfurter Allgemeine Zeitung. The programme included two of the most important works of musical Romanticism: Hector Berlioz's visionary Symphonie fantastique and Felix Mendelssohn's magical, shimmering music for A Midsummer Night's Dream. Audio and video recordings of this memorable evening are now being released in a hardcover luxury edition. The bonus material includes a historical documentary about Abbado's first year as chief conductor of the Berliner Philharmoniker. In addition to extensive texts, the booklet contains numerous photos, some of which have never been published before.
Sir John Eliot Gardiner and the London Symphony Orchestra join forces once again in the latest instalment of their exploration of Mendelssohn’s symphonies. Mendelssohn’s Symphony No 5, commonly known as the ‘Reformation’ Symphony, was written in 1830 to commemorate the 300th anniversary of the Augsberg confession – a seminal event in the Protestant Reformation. Allusions to the symphony’s title and inspiration can be heard throughout the music itself; the Dresden Amen is cited by the strings in the first movement whilst the finale is based on Martin Luther’s well-known chorale Ein feste Burg ist unser Gott (‘A Mighty Fortress is Our God’). Coupled with this are two of Mendelssohn’s overtures, Calm Sea and Prosperous Voyage and Ruy Blas, both of which were inspired by literary works. Calm Sea and Prosperous Voyage, based on two short poems by Goethe, depicts the journey of sailors at sea with a still adagio opening ultimately giving way to a triumphant homecoming. Completing the album, the overture Ruy Blas was commissioned by the Leipzig Theatre as an overture to Victor Hugo’s tragic drama of the same name.
Schönbrunn Palace in Vienna is once again this year the beautiful backdrop for a classical music concert in a class of its own. Every year, the famous summer night concert of the Vienna Philharmonic Orchestra takes place there. This year, the orchestra is conducted by Valery Gergiev, who has been working with the Vienna Philharmonic Orchestra for many years. For the first time this year, the German world star Jonas Kaufmann will be the star guest at the Summer Night Concert. The programme is still secret, but as every year it will be a particularly beautiful mixture of classical hits and special works by Richard Strauss, Richard Wagner, Jacques Offenbach, Jules Massenet, Felix Mendelssohn-Bartholdy, Emmerich Kálmán, Maurice Jarre, Aram Khachaturian and Giacomo Puccini.
Bringing his acclaimed Mendelssohn cycle to a rousing conclusion, Sir John Eliot Gardiner presents the composer s symphony-cantata, 'Lobgesang', in his first ever performance of the work. Three world-class soloists join the LSO and his own Monteverdi Choir for this recording for LSO Live. Mendelssohn wrote that the piece 'lies very near my heart', and with its stately grandeur and religiosity, plus its sheer magnitude, twice the length of any of his other symphonies, it stands amongst his most impressive works.
Bringing his acclaimed Mendelssohn cycle to a rousing conclusion, Sir John Eliot Gardiner presents the composer s symphony-cantata, Lobgesang. Mendelssohn wrote that the piece lies very near my heart , and with its stately grandeur and religiosity, plus its sheer magnitude double the length of any of his other symphonies it stands amongst his most impressive works. Posthumously categorised by editors as the composer s second symphony, it is also known as a song of praise and three talented soloists join the LSO and the world-class Monteverdi Choir for this recording. While Gardiner is well-versed in the German s output, this release documents his first performance of the work. In an interview for The Arts Desk, he said: It s a piece I ve been looking at for years, and I ve never conducted it.
This release from the London Symphony Orchestra's LSO Live series features a program that the orchestra must have played hundreds of times over its long history: Mendelssohn's well-loved Symphony No. 3 in A minor, Op. 56 ("Scottish"), and Hebrides Overture, Op. 26, with the Schumann Piano Concerto in A minor, Op. 54, in between. There are substantial attractions, but they don't necessarily come where some think they might. What truly sets this recording apart is the extraordinarily graceful performance of the Schumann by Portuguese (and now Brazilian) pianist Maria João Pires, with the LSO keeping itself carefully subordinated to her unusually quiet performance.
Spanish maestro Rafael Fruhbeck de Burgos (1933-2014) concluded his acclaimed international conducting career of almost six decades with two memorable years as the venerated Principal Conductor of the Danish National Symphony Orchestra. Recorded live in concert at the new DR Koncerthuset in Copenhagen, this exclusive release combines Fruhbeck de Burgos’ powerful interpretation of the complete symphonies by Ludwig van Beethoven with his spectacular renderings of Symphonie fantastique by Hector Berlioz and Richard Strauss’ Eine Alpensinfonie as well as Joaquin Rodrigo’s popular concierto de Aranjuez, featuring the world-renowned Spanish guitarist Pepe Romero.