Menschern Lese

Dein Durchbruch zum erfahrenen Python Anwender! Erstelle interaktive Visualisierungen für Data Science, Machine Learning

Maschinelles Lernen mit vielen Praxisbeispielen: Regression, Klassifizierung, Clustering & Natural Language Processing.

Dibango is Cameroon's, and perhaps Africa's, best-known jazz saxophonist. Starting in the 1950s, he became a globe-trotting musician, living and performing in France, Belgium, Jamaica, Zaire, and Cote d'Ivoire, as well as in Cameroon. In 1960, Dibango was one of the founding members of the Zairean band African Jazz, with whom he spent five years. World attention came to Dibango with the release in 1972 of Soul Makossa, a work that actually had precious little of the makossa sound in it, and scored later hits with Seventies and Ibida.

Like his compatriot and close contemporary Abdullah Ibrahim, Hugh Masekela has a 24-carat discography which stretches back six decades and digs deep into the taproot of jazz. Ibrahim is still with us—he has a new album scheduled for June 2019—but Masekela passed in January 2018. Among the several solid Masekela compilations on the market, this 3-CD set is the most welcome. It deals with the most prolific phase of Masekela's career and brings back into circulation material from landmark albums which have either never been reissued or which were last reissued twenty or thirty years ago. Two of the most important albums—Introducing Hedzolleh Soundz (Chisa/Blue Thumb, 1973) and I Am Not Afraid (Chisa/Blue Thumb, 1974)—are included in their entirety. If Masekela '66—'76 did no more than make these titles available again it would justify its existence. But it does much more.

Dieses Buch beschäftigt sich mit der Frage, welche Voraussetzungen erfüllt sein müssen, damit Kinder erfolgreich lesen und schreiben lernen. Es richtet sich an alle, die sich für die Hintergründe des Schrifts­pracherwerbs interessieren, d.h. Eltern, Lehrkräfte, Pädagogen unterschiedlicher Fachrichtungen und Psychologen.

Just One Kyoto Night is a 2015 Eric Clapton 2CD bootleg of a show recorded in Kyoto, Japan at the Kyoto Kaikan Daiichi Hall on 26 November, 1979. It is an excellent sounding audience recording. The cuddly bear that made this possible is Paddington.

If someone asked me about this album, I would say it is a collection of songs linked together by a story.