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ABBA's self-titled third album was the one that really broke the group on a worldwide basis. The Eurovision Song Contest winner "Waterloo" had been a major international hit and "Honey, Honey" a more modest one, but ABBA was still an exotic novelty to most of those outside Scandinavia until the release of ABBA in the spring of 1975. "I Do, I Do, I Do, I Do, I Do," a schmaltzy tribute to the sound of '50s orchestra leader Billy Vaughn, seemed an unlikely first single, and indeed it barely scraped into the Top 40 in the U.K. But in Australia, it topped the charts, causing the Australian record company to pull its own second single, "Mamma Mia," off the album. This far more appealing pop/rock number followed its predecessor into the pole position Down Under and also topped the charts throughout Europe…

ABBA's self-titled third album was the one that really broke the group on a worldwide basis. The Eurovision Song Contest winner "Waterloo" had been a major international hit and "Honey, Honey" a more modest one, but ABBA was still an exotic novelty to most of those outside Scandinavia until the release of ABBA in the spring of 1975. "I Do, I Do, I Do, I Do, I Do," a schmaltzy tribute to the sound of '50s orchestra leader Billy Vaughn, seemed an unlikely first single, and indeed it barely scraped into the Top 40 in the U.K. But in Australia, it topped the charts, causing the Australian record company to pull its own second single, "Mamma Mia," off the album. This far more appealing pop/rock number followed its predecessor into the pole position Down Under and also topped the charts throughout Europe…

It's not billed that way but given the Who's productivity since their initial split in 1982, it's difficult not to view 2019's Who as the band's final album. It's only their second album in 37 years, and if it takes them another 13 years to complete a third – that's the length of time separating Who from 2006's Endless Wire – both Pete Townshend and Roger Daltrey will be well into their eighties, a seemingly unlikely age for new work by rockers. Then again, the Who have long outlived Townshend's youthful desire to die before he gets old, a fact he began to contend with during the mid-'70s, when he chronicled his middle-aged disappointment on Who by Numbers.