Metallica's debut album Kill 'Em All has been remastered and will now be available as a deluxe boxset including 4LP/5CD/1DVD and includes a book with 64 pages. New essays, never-before-seen phtos, ticket stubs, tracking sheets and a Metallica patchThe true birth of thrash…
The true birth of thrash. On Kill 'Em All, Metallica fuses the intricate riffing of New Wave of British Heavy Metal bands like Judas Priest, Iron Maiden, and Diamond Head with the velocity of Motörhead and hardcore punk…
As Kiss approach 40 years of ridiculously dumb rock & roll fun, it makes sense that their 20th studio album, Monster, is more self-referential than anything. Following 2009's Sonic Boom, the album marks the second set of tunes by a revamped "original" Kiss lineup, with Paul Stanley and Gene Simmons joined by new guitarist Tommy Thayer and re-emerging drummer Eric Singer donning the makeup and personas originated by Ace Frehley and Peter Criss, respectively. Dressing up these semi-random players in the classic comic book costumes is just step one in re-creating the feel of Kiss' 1970s over the top heyday.
Metallica formed in 1981 by vocalist/guitarist James Hetfield and drummer Lars Ulrich. The duo first met through an ad in a Los Angeles-based music newspaper…
Supersonic and Demonic Relics is mostly the same sort of material the Crüe included as bonus tracks on their 1999 catalog reissues: live performances, rarities, outtakes, alternate versions, and previously unreleased songs; plus an extended Skinny Puppy remix of "Hooligan's Holiday," and the two songs recorded specifically for Decade of Decadence…
As the title suggests, Live Bites is a collection of live tracks from the Scorpions, recorded at a time (between 1988 and 1995) when they weren't at the top of their form, despite the hit single "Winds of Change." There are occasional highlights that might make the CD worthwhile for the band's most dedicated fans…
It's advantageous to get an early start on your chosen career, but Billy Preston took the concept to extremes. By age ten he was playing keyboards with gospel diva Mahalia Jackson, and two years later, in 1958, he was featured in Hollywood's film bio of W.C. Handy, St. Louis Blues, as young Handy himself. Preston was a prodigy on organ and piano, recording during the early '60s for Vee-Jay and touring with Little Richard. He was a loose-limbed regular on the mid-'60s ABC TV series Shindig, proving his talent as both a vocalist and pianist, and he built an enviable reputation as a session musician, even backing the Beatles on their Let It Be album. That impressive Beatles connection led to Preston's big break as a solo artist with his own Apple album, but it was his early-'70s soul smashes "Outa-Space" and the high-flying vocal "Will It Go Round in Circles" for A&M that put Preston on the permanent musical map. Sporting a humongous Afro and an omnipresent gap-toothed grin, Preston showed that his enduring gospel roots were never far removed from his joyous approach. He continued to perform and record throughout the '80s, '90s, and 2000s, until he fell into a coma caused by pericarditis late in 2005; sadly, he never regained consciousness and passed away on June 6, 2006.