Michael Brook Affliction

This live album was recorded at the press launch for the Cobalt Blue album at the Aquarium, London Zoo 21st. May 1992. It was taped by Brook with no intention of release it. But once all parties heard the recording, it was agreed that it deserved a far wider audience then the original gathering of media and friends.

Having an album release party in the London Zoo's Aquarium, where the emphasis would no doubt be on stillness, hush and the haunting beauty of the deep, just suits most 4AD label releases to begin with. Given that Brook is known for his mysterious, spare guitar work makes this record of the solo concert he gave there upon the appearance of Cobalt Blue all that more appropriate. Reproducing much of the content of that album but in a different running order, Aquarium consists solely of Brook, his guitar and preset synth/rhythm patterns. The result is quite fascinating; whether a listener thinks that the more stripped-down overall sound of the songs here works better as a result or prefers the generally lusher textures of the studio release must ultimately be up to individual judgment. What is beyond question is the skill Brook uses on his instrument, which, thankfully, never transforms into pointless showing off. Those used to his 'infinite guitar' sounds thanks to the likes of U2 might …well be surprised at the understated serenity of the performance. Even the most specifically Edge-sounding number, "Ultramarine," sounds more like a calm run-through of one of the Irish musician's pieces instead of a full-on rock-out. The medley of "After Image/Urbana" is an excellent all-around showcase. The first song consists of low E-bow-tinged guitar lines, quite relaxed and soothing all around, while the second is initially all down to just soft strums and a buried rhythm loop. When the song's main melody begins, Brook's performance is at once heartwrenching and soaring, then further supplemented by the increased rhythm punch from his keyboard set-up. If one standout has to be selected, the majestic version of "Lakbossa" is the clear winner. Brook's utterly compelling work is simply jawdropping, tender and as big as all outdoors at once. - Ned Raggett, All Music Guide

Having an album release party in the London Zoo's Aquarium, where the emphasis would no doubt be on stillness, hush and the haunting beauty of the deep, just suits most 4AD label releases to begin with. Given that Brook is known for his mysterious, spare guitar work makes this record of the solo concert he gave there upon the appearance of Cobalt Blue all that more appropriate. Reproducing much of the content of that album but in a different running order, Aquarium consists solely of Brook, his guitar and preset synth/rhythm patterns. The result is quite fascinating; whether a listener thinks that the more stripped-down overall sound of the songs here works better as a result or prefers the generally lusher textures of the studio release must ultimately be up to individual judgment…

Captive is the first full soundtrack album created by a member of U2. Released over a decade before Million Dollar Hotel and a few months before The Joshua Tree was recorded, Captive is music written and performed by the Edge for a somewhat obscure European thriller…

The mid-'80s proved to be a prolific and exploratory time for the producer/performer team of Brian Eno and Daniel Lanois, who this time out take guitarist Michael Brook under their ambient wing to create an album of considerable beauty and restraint. Taking a "less is more" approach to the project, Brook adapts quite easily as a group member in co-creating these organic pieces (although composer credits go to him alone), and within a few minutes one forgets that he is a guitar player. Hybrid is not an especially dynamic or exciting album, but its depth is nonetheless rewarding. There is substance within the shadows, and the musicians take the necessary time to properly explore them…