Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.
Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.
Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.
Michael Rother, founding member of krautrock groups Neu! and Harmonia, is releasing another new box set. The new collection, Solo II, is out September 4 (via Groenland). Solo II includes three albums from the 1980s (Lust, Süssherz und Tiefenschärfe, and Traumreisen), 1996’s Esperanza, and 2004’s Remember (The Great Adventure), an album of bonus tracks (mostly recorded in the ’90s), and a brand new 2020 album called Dreaming. Speaking about Dreaming, Rother said in a press release, “I had a goldmine of ideas—about seventy-five sketches, and I knew there were some gems in there. I’m delighted by the way the album has turned out.”