Michel Godard Castel Del Monte

Gerardo Del Monte's album ‘Step By Step Live in Studio’ is released by Filibusta, a piano-based trio with Gerardo Del Monte on piano, Giuseppe Di Pasqua on bass and Sergio Mazzini on drums.

Fils de compositeur, le petit Michel est presque né avec les touches de piano collées à ses doigts. Arrangeur pour les bonnes œuvres de son paternel, Michel Legrand connaîtra son envolée dans les années 60 et 70 en composant les musiques des films des cinéastes de la Nouvelle Vague, dont les figures emblématiques que sont Jean-Luc Godard et Agnès Varda.

Songs of love and loss by a trio of early 18th century Spanish composers, showcasing the vocal art of a distinguished early-music soprano.

Hans, le joueur de flûte is a ravishing opera, loosely based on the legend of Hamelin’s pied piper popularized notably by the Grimm Brothers, composed by Louis Ganne and premiered in Monte-Carlo in 1906. Rarely recorded, its best rendition is undoubtedly this beautiful 1967 performance with the best French singers of their time, including Liliane Berton and the amazing baritone Michel Dens in the title-role.

Maestro Marek Janowski, the Orchestre Philharmonique de Monte-Carlo and the Transylvania State Philharmonic Choir present Giuseppe Verdi’s Un ballo in maschera (1859), together with a stellar cast, headed by Freddie De Tommaso (Riccardo), Lester Lynch (Renato) and Saioa Hernández (Amelia). Un ballo in maschera is Verdi’s tragicomic masterpiece, in which the composer skilfully switches gears between the light and tragic, as well as between his earlier and more mature style. As such, it is both an entertaining and highly sophisticated work.

Maestro Marek Janowski, the Orchestre Philharmonique de Monte-Carlo and the Transylvania State Philharmonic Choir present Giuseppe Verdi’s Un ballo in maschera (1859), together with a stellar cast, headed by Freddie De Tommaso (Riccardo), Lester Lynch (Renato) and Saioa Hernández (Amelia). Un ballo in maschera is Verdi’s tragicomic masterpiece, in which the composer skilfully switches gears between the light and tragic, as well as between his earlier and more mature style. As such, it is both an entertaining and highly sophisticated work.

Almost 30 years after their first concert together, and after the release of three superlative albums that have cemented a unique relationship, Michel Camilo & Tomatito return with a new album: SPAIN FOREVER AGAIN. A new work by the Dominican pianist and the Andalusian guitarist where the understanding between them reaches unique heights, the conversation between piano and guitar is constant, intimate and playful. A journey that we must savour with luxury, calm and voluptuousness, given that we are approaching a universe that aspires, above all, to offer an oasis of order and beauty.

"Electronica 1: The Time Machine" is the eighteenth studio album by French electronic musician Jean Michel Jarre, released on 16 October 2015. It was recorded with the help of 15 separate collaborators, including Vince Clarke, Gesaffelstein, M83, Armin van Buuren, John Carpenter, Robert "3D" Del Naja of Massive Attack fame, Pete Townshend (from The Who) and the late Edgar Froese of Tangerine Dream, the collaboration being one of Froese's last projects before passing away in the January of 2015.

A two-time GRAMMY Award winner, bassist, producer, composer, and all-around musician Marcus Miller has been a student and a leader, a creator and an interpreter, a master and a mentor in the art form of music - from his teen years to the present - with many more miles to go before he sleeps…a profound past paving the way to an as yet unfathomable future. Marcus continues this legacy with A Night in Monte-Carlo, a live audio document of an amazing concert he was commissioned to perform on November 29, 2008 in the "rich man's playground" of Monaco - a performance of music of his choice, much of it from his pen, featuring his arrangements for symphony orchestra. It features Marcus leading both his quartet and the Monte-Carlo Philharmonic Orchestra, with special guests: trumpeter Roy Hargrove as well as singer, songwriter and guitarist Raul Midón.

‘It will be a strange score: people will either not like it at all, or will like it enormously’, prophesied Camille Saint-Saëns a few days before the premiere of Déjanire. The opera, first performed in Monte Carlo on 14 March 1911, is based on incidental music written in 1898 for the Béziers Arena. Fascinated by the subject, the composer soon wanted to give it a second, more ambitious life. He therefore conceived a mythological epic that inspired ‘powerfully evocative music’, according to Gabriel Fauré, who was struck by the impact of the choral writing.