First time on CD. Composed & Conduted by the legendary Legrand including his "Picasso Suite". This nostalgic coming-into-manhood fantasy features a gorgeous Oscar-winning score by Michel Legrand ("Yentl", "The Thomas Crown Affair"). Director Robert Mulligan (To Kill a Mockingbird) evokes the period with double-dip ice cream cones, paddleball, saddle shoes, packages of Fels Naptha and the mist of memory in which the hero's thoughts are enwrapped. Herman Raucher's screenplay is a discerning and appreciative translation of one boy's trip along a trajectory of psychological and sexual change.
Ice Station Zebra (1968) is a Cold War thriller following a U.S. submarine and its mysterious British passenger on a top-secret mission to the North Pole. Based on a novel by Alistair MacLean, the film features fine performances by Rock Hudson, Patrick McGoohan, Ernest Borgnine and an all-male supporting cast. The combination of realistic military protocol and high-adventure espionage—as well as groundbreaking special effects and production design—won the film many admirers, among them the late Howard Hughes. Michel Legrand was best-known for pop-based scores like The Umbrellas of Cherbourg and The Thomas Crown Affair, but was no less creative and dynamic in the symphonic Hollywood idiom (The Three Musketeers). His score for Ice Station Zebra is at once epic yet also offbeat, with powerful main themes dressed in an intricate web of mystery and suspense. The film is first and foremost a military story, but in Legrand's hands it becomes almost like a Cold War ballet, with a polished, artistic sheen to its danger. Legrand himself provided the terrific orchestrations and conducted the 75-piece orchestra in a five-channel stereo recording.
Reynold da Silva's Silva Screen Records has been constructing a series of "essential" collections of major film composers' scores usually by making new recordings of portions of those scores or compiling recordings previously made for other projects, most often employing the City of Prague Philharmonic Orchestra. For this Michel Legrand album, the label has actually enlisted Legrand as conductor of the Flemish Radio Orchestra (whose contributions are not noted until you examine the CD booklet), with a few additional jazz musicians, plus Legrand himself on piano and (during the extended suite from The Go-Between) harpsichord. Still, these are new recordings, made in December 2004, and should not be confused with actual soundtrack recordings. Legrand oversees excerpts from some of his most popular scores, leaning heavily on the major themes, such as "I Will Wait for You" from The Umbrellas of Cherbourg, "Theme from Summer of '42," and "The Windmills of Your Mind" from The Thomas Crown Affair.
Billed as both a Barbra Streisand album and as an original motion picture soundtrack, Yentl contains the songs, sung by Streisand and written by Michel Legrand and Alan and Marilyn Bergman, that the character played by Streisand sings as internal monologues in the film, sometimes with spoken dialogue interspersed. (The album is filled out by "studio versions" of two of the songs, "The Way He Makes Me Feel" and "No Matter What Happens," played on contemporary electronic instruments, rather than in the orchestral settings used for the rest of the songs.) With such a thematic base, the music has an unusual consistency, and written specifically for Streisand, it makes use of her emotional expressiveness, phrasing, and timing as a singer. But it was also written as a complement to the film and on its own comes across as a group of isolated musical plot highlights rather than as a coherent song cycle. (Yentl won an Academy Award for Best Original Song Score.)
Michel Legrand's abundantly lyrical soundtrack to Jacques Demy's 1964 movie musical The Umbrellas of Cherbourg faithfully evokes the film's predominant theme of young love foiled by adult reality. The Umbrellas of Cherbourg's overriding melancholia finds a voice in two main melodic motifs Legrand uses throughout the soundtrack, the first from the Legrand jazz standard "Watch What Happens" and the second from his song "I Will Wait for You." Legrand's considerable arranging abilities are on display here as he works the recurring themes through a variety of settings: tragic duets cloaked in dramatic string passages, broken-down cabaret soliloquies, and even a tango piece à la Astor Piazzolla. A prevalent jazz waltz theme also seesaws its way through the score, providing a break from the gloom. As with his later Demy soundtrack, The Young Girls of Rochefort, Legrand does integrate jazz into the mix, but not in such pervasive fashion; occasional big-band outbursts and light jazz backgrounds ultimately take a back seat to Legrand's preferred chanson mode. Combining Debussy's opaque melodies and Richard Rodgers song economy, he transforms the whimsical French song of Piaf and Trenet into petite arias. For Legrand it comes down to the song, and there are plenty of good ones on The Umbrellas of Cherbourg.