Digitally remastered edition of this 1981 album from the French composer, performer and music producer. Jean Michel, the son of acclaimed film composer Maurice Jarre, is a pioneer in the Electronic, Ambient and New Age genres. Apart from his recorded output, Jean Michel Jarre is also fondly known as an organizer of outdoor spectacles of his music featuring lights, laser displays, and fireworks. Jean Michel has gone on to sell well over 80 million albums in the course of 40 years.
The second “Bluesin’” volume in the “By The Bayou” series concentrates on musicians from South Louisiana and South East Texas discovered and recorded by J.D. Miller and Eddie Shuler. These two giants of the post-war recording scene were supreme talent-spotters. They knew the sounds that appealed to the local record-buying public, their target audience. What they couldn’t have known, or even guessed at in their wildest fantasies, was that the appeal of their recordings would last so long and encompass the globe.
Guns N 'Roses took the pop music scene of the '80s by storm. With their wild looks, their irreverent attitude and a repertoire firing in all directions, Guns N' Roses caught the attention of both rockers and pop fans alike. Their legacy and influence has been undeniable. The Many Faces in a stunning triple album, that not even the band itself had possible imagined. With an impressive presentation and remastered sound, this collection presents many of the band members' side projects; some of their not so well known songs plus a complete map of music scene where they were born, with songs from each of the bands that shared their beginnings. For all these reasons, The Many Faces Of Guns N 'Roses is a unique album, a must for anyone who has ever enjoyed the band's music.
It’s been a while coming, but here we finally get Trikont’s third volume in their amazing Early Black Rock ‘N Roll series. As before, the intent is to present real American rock ‘n roll as it first emerged in the late 1940s-early 1950s, before the music’s black roots were de-emphasised and it was cleaned up for consumption by the middle class white America of Richie Cunningham, Ralph Malph and Potsie. These 26 knock-out tracks certainly deliver on this - or, in the words of Nik Cohn in the booklet’s notes, ‘compared to the sentimentalism of white music, (hearing the originals) was like a window being opened to let the stale air out’.
Today marks the 70th birthday of one of the greatest drummers of this, or any generation; the remarkable Billy Cobham. From his earliest recordings with Horace Silver, Miles Davis and Milt Jackson, to his scintillating and seminal work with John McLaughlin's Mahavishnu Orchestra, keyboardist George Duke, and his own groups, like Culture Mix, Asere and the Spectrum 40; Cobham has thrilled audiences around the world by bringing his incomparable talents as a composer, drummer, and producer to the forefront of jazz, rock, fusion and world music. His latest effort is the eagerly awaited "Tales from the Skeleton Coast", part 3 of a series dedicated to his Panamanian parents.
Esoteric Antenna is please to announce the release of the new studio album by Nick Magnus, keyboard player in Steve Hackett’s band for five years, Nick was also a member of The Enid and his skill as an arranger and writer graced legendary Hackett albums such as "Spectral Mornings" and "Defector".
With his album "N’Monix", Nick Magnus has been joined in the studio by Steve Hackett, Rob Townsend and vocalists Pete Hicks, Tim Bowness (No-Man), Kate Faber, Tony Patterson, Andy Neve and James Reeves and lyricist Dick Foster to produce a collection of songs and music in the finest tradition of his past work with Steve Hackett. "N’Monix" is one of the outstanding Progressive Rock releases of 2014.
Coming off his Grammy-nominated 2013 album, The World According to Andy Bey, vocalist/pianist Andy Bey delivers the equally compelling 2014 release Pages from an Imaginary Life. As with its predecessor, Pages finds the jazz iconoclast returning to his roots with a set of American Popular Song standards done in a ruminative, stripped-down style. This is Bey, alone at the piano, delving deeply into the harmony, melody, and lyrics of each song. But don't let the spare setting fool you. Bey is a master of interpretation. In his seventies at the time of recording, and having performed over the years in a variety of settings from leading his own swinging vocal trio, to working with hard bop pioneer Horace Silver, to exploring the avant-garde with Archie Shepp, Bey has aged into a jazz oracle who doesn't so much perform songs as conjure them from somewhere in the mystical ether of his psyche.