Famous for his innovative operas – Orfeo ed Euridice, Alceste, and Armide – Christoph Willibald Gluck is virtually unknown as a composer of instrumental music, and his attributed symphonies and overtures are among his most obscure works. Indeed, this 2011 release on CPO by Michi Gaigg and L'Orfeo Barockorchester almost stands alone in introducing these early symphonies, which show the fluidity of symphonic form as it developed out of the Baroque opera overture into the familiar Classical shape. With as few as two and as many as four movements,
Miriways met with enthusiasm when rediscovered after 284 years in 2012. 'That the score of Miriways…is such a…delight to hear owes…to the Austrian conductor Michi Gaigg and her L'Orfeo Baroque Orchestra…' (J. Gahre in Das Opernglas). Mir Wais was an Afghan tribal prince who led several revolts to liberate Kandahar from Persian rule, a very current political subject when staged in Hamburg in 1728, and now. Telemann's music is colorful, lavishly instrumented, and richly Oriental in color.
The crystal clear quality of Dorothee Mields’s singing has already graced many albums of German mid- to late-Baroque music. Her vocal quality, secure intonation and tasteful use of ornamentation characterise performances that are further enhanced by her sensibility to music and text alike.