Mickey Muse German

Grammy Award winning band Muse release their long-awaited ninth studio album Will Of The People via Warner Records. Of the album, Muse frontman Matt Bellamy says, “Will Of The People was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests and riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilization of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.”

Whether they're fighting alien invaders, shadowy government conspiracies, or the Apocalypse, Muse always do it for love. On their eighth effort, Simulation Theory, they attempt to break through the virtual matrix in search of that human connection and freedom from the machine. The least complicated or overly conceptual offering (for Muse) in over a decade, the 11-song set is focused and cohesive, blaring down a neon-washed highway of pulsing synths and driving beats while swerving to avoid the orchestral and dubstep meandering of their preceding 2010s output. Unlike these same predecessors, there's also no filler or wasted time, making it the most compulsively listenable and immediate Muse album since 2006's Black Holes & Revelations…

Though some may still consider them Radiohead mimics, obviously Muse continues to strike a nerve with their alternative hard rock audience, here releasing their third album of heavy guitars, haunted harmonics, and paranoid musings in Absolution…

With its titanic guitar solos, symphonic suites, and multi-layered melodies, Muse's fifth album operates under the assumption that bigger is better. This is the very definition of a super-sized album, an album that takes its cues from Queen, its lyrics from science fiction novels, and its delivery from rock opera. It's also the first time that Muse has truly sounded like Muse, as few bands since Queen have so readily explored the intersection of bombast and extravagance. The Resistance is most certainly extravagant - there are snatches of classical piano entwined throughout, not to mention bilingual lyrics, concert hall percussion, coronet solos, and song titles like "Exogenesis: Symphony, Pt. 2 (Cross-Pollination)" - but it's also quite beautiful, capable of moving between prog rock choruses and excerpts from Chopin's "Nocturne in E Flat Major" within the same song…

Whether they're fighting alien invaders, shadowy government conspiracies, or the Apocalypse, Muse always do it for love. On their eighth effort, Simulation Theory, they attempt to break through the virtual matrix in search of that human connection and freedom from the machine. The least complicated or overly conceptual offering (for Muse) in over a decade, the 11-song set is focused and cohesive, blaring down a neon-washed highway of pulsing synths and driving beats while swerving to avoid the orchestral and dubstep meandering of their preceding 2010s output. Unlike these same predecessors, there's also no filler or wasted time, making it the most compulsively listenable and immediate Muse album since 2006's Black Holes & Revelations…