Newly remastered onto 12 CD's and in wonderful, refreshed sound for this 2013 release in honor of Wagner's 200th birthday, this cycle, recorded live in Bayreuth during 1966 and 1967, remains one of the greatest "Rings" on record. Legendary singers Theo Adam as Wotan, James King as Siegmund, Leonie Rysanek as Sieglinde, Thomas Stewart as Gunther, Wolfgang Windgassen as Siegfried, and Birgit Nilsson as Brühnnhilde lead an outstanding cast in this fast-moving and dramatic reading led by expert conductor Karl Böhm.
Nina Simone was one of the most moving, inspirational performers in the history of popular music. Here we present all the tracks from her debut album along with some incendiary live performances that give a glimpse of the force of nature that typified this remarkable artist. From love songs and ballads, through Jazz and Blues, to classics and roots, this set features some of her finest songs, with an introduction and detailed notes on the tracks featured.
Although Orrin Keepnews' Riverside Records was primarily a jazz label, the company dabbled in blues in the 1960s – and one of the bluesmen who recorded for Riverside was John Lee Hooker. Recorded in 1960, this Keepnews-produced session came at a time when Hooker was signed to Vee-Jay. The last thing Keepnews wanted to do was emulate Hooker's electric-oriented, very amplified Vee-Jay output, which fared well among rock and R&B audiences. Keepnews had an acoustic country blues vision for the bluesman, and That's My Story favors a raw, stripped-down, bare-bones approach – no electric guitar, no distortion, no singles aimed at rock & rollers.
2013 release that includes tracks from Plaid, Afterlife, Christophe Goze, Bliss, Cantoma, Belladonna and others.
Jordan: The Comeback is Prefab Sprout's largely successful attempt to embrace the breadth of popular music; wisely reuniting with producer Thomas Dolby, Paddy McAloon freely indulges his myriad ambitions and obsessions to weave a dense, finely textured tapestry closer in spirit and construction to a lavish Broadway musical than to the conventional rock concept LP. Over the course of no less than 19 tracks, McAloon chases his twin preoccupations of religion and celebrity, creating a loose thematic canvas perfect for his expanding musical palette; quickly dispensing with common pop idioms, the album moves from tracks like the samba-styled "Carnival 2000" to the self-explanatory "Jesse James Symphony" and its companion piece "Jesse James Bolero" with remarkable dexterity.