Midwest Augustana

A jam band coming out of the Midwest in the mid-'90s, Umphrey's McGee edged toward the Frank Zappa side of the improv rock scale, as opposed to the Grateful Dead/Allman Brothers Band direction of their many contemporaries. The members of Umphrey's McGee met at the University of Notre Dame in South Bend, Indiana…

Acclaimed for her “superior vocal value” (Boston Globe), Soprano Hein Jung has performed in major cities throughout the US and Korea. These venues include Opera Tampa, Tanglewood Music Festival, San Francisco Opera Merola Program, Milwaukee Symphony, Madison Opera, St. Petersburg Opera, Bel Canto Chorus, Tampa Oratorios Singers.

In what has become an Umphrey's tradition, the band followed up a legendary Red Rooks performance with an intimate Colorado theater show. With palpable energy filling the room well before the first note, the Boulder Theater crowd knew they were in for a treat. Never ones to leave anything on the table, Umphrey's pulled out a set list with a slew of songs that hadn't seen the light of day in Colorado for years. Rock it in the comfort of your living room in stunning HD. Hold on tight. Rage. Rest. Repeat…

A collection of 80s/ first 90s music videos from AOR band Chicago. The promos of their best known hits and ballads are here included, coming both from the Peter Cetera and the Jason Scheff eras. Among them: 'Hard to Say I'm Sorry', 'Love MeTomorrow', '25 or 6 to 4', 'Will you still love me?', 'You're Not Alone' and 'Chasin' the Wind'.
According to Billboard chart statistics, Chicago is second only to the Beach Boys as the most successful American rock band of all time, in terms of both albums and singles.

Collection includes: The End of the Ring Wars (1998); Mare Vitalis (2000); Low Level Owl, Vol. 1 (2001); Low Level Owl, Vol. 2 (2001); Lost Songs (2002); Two Conversations (2003); Peregrine (2006); Sagarmatha (2009); Middle States EP (2011); Illumination Ritual (2013).

On night two, the band kicked things off with the aptly titled "Flamethrower" before segueing into a "Mulche's Odyssey," dominated by Cinninger on the fire and brimstone. "Miami Virtue" cooled things off a bit as Ryan Stasik dropped a smooth bass line, which, synced with the keyboard handiwork of Cummins, got both the band and crowd into a steady head bob. On the heels of a hefty "Plunger” sandwich, "Dump City" set up a second set that won't soon be forgotten. The great saxophonist Joshua Redman joined the band for all of set two, making this one a rare gem in the UM catalog. Monster song after monster song interspersed with high energy improv made this one of the band's favorite sets of the year. This one delivers.