Mig Äger Ingen Nobody Owns me (2013) Kjell Åke Andersson, Mikael Persbrandt, Hanna Alström, Ida Engvoll, Drama

The story about 5-year-old Lisa's unconditional love for her alcoholic father. There is also a depiction of Sweden in the 70's and working class fading ideals. The mother leaves the family and Lisa struggling to maintain the image of the hero father. In the end, Lisa is facing a life-changing choice. Based on true events.

When Belinda Carlisle pursued a solo career, she took more than her share of criticism from rock critics who complained that slick pop/rock collections like Belinda and Heaven on Earth lacked the bite of her work with the Go-Go's. But while nothing here packs quite the punch that "How Much More," "We Got the Beat," and "Turn to You" did, such memorable songs as "Heaven Is a Place on Earth," "Should I Let You In?," and "I Get Weak" show that the Angelino still had plenty of spirit. "Circle in the Sand" is in fact a gem a haunting Shangri-Las-like song with an early-to-mid-'60s-ish quality that makes you wish you were back in the Summer of '64 on your way to the beach. If one were to own only one solo effort from Carlisle's MCA years, this would be the best choice.

The 'Girls' have been friends–and fat–for years, bonding over hopes, dreams, food, and the shared pain and heartbreak of being very obese. But, now, as some pursue weight loss surgery, their center has shifted and upset everything they knew about happiness, friendship and love.

Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, …

Joaquim Pinto has been living with HIV and VHC for almost twenty years. What now? is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between the present and past memories, the film is also a tribute to friends departed and those who remain.

Documentary made by a young South African filmmaker before Nelson Mandela's death which raises important questions about the iconic leader's legacy. Khalo Matabane spent two years making the film, interviewing those who knew and loved Mandela, and also those who criticised him. Global thinkers, politicians and artists including the Dalai Lama, Henry Kissinger and Ariel Dorfman talk about the effect of his policies and his decision making. Their thoughts are weighed equally with ordinary South Africans like Charity Kondile, who refuses to forgive her son's apartheid operative murderer.

The Who's life and times when they were making Quadrophenia.