Mike Heger

Although it features the beautiful recorder of Leslie Penny and the Chieftains' Paddy Maloney playing the uilean pipe, Ommadawn didn't gain Mike Oldfield the success he was looking for. The album was released in the same year as the David Bedford-arranged Orchestral Tubular Bells and nine months after Oldfield picked up a Grammy award for the original Tubular Bells album…

It’s back. The debut album that blew up the ’90s blues scene. The songs that announced the touchdown of a major new talent. In modern times, as an established solo star and former member of the globally acclaimed Royal Southern Brotherhood, Mike Zito’s reputation precedes him. But turn back the clocks. Rewind the film reels. Slip through the wormhole to 1998, when a 27-year-old punk kid took his first shot in the studio. “Blue Room,” he reflects, “is the beginning of me becoming an artist.” By 1998, Zito had been around the block. Raised at the sharp end in St. Louis, Missouri, he’d witnessed the lean years of the ’70s, as his father – a union employee at the local Anheuser-Busch brewery – grafted to support five kids in a cramped apartment.

In 1973, Mike Oldfield burst onto the British music scene with his debut album Tubular Bells, two long instrumental suites in which Oldfield stitched together a series of melodies into a grandly scaled work in which he played the many instruments himself. The album was an audacious beginning to a career than saw him become one of the most respected artists in progressive rock, as well as a successful film composer. The Complete Mike Oldfield is a collection released in 1985 which features selections from his first ten solo albums, as well as highlights from his score for the film The Killing Fields.

Welcome to the bewitching world of Circus Dinogad in which Welsh contralto Hilary Summers, the Dutch theorbo & bass clarinet duo Mike Fentross & Maarten Ornstein and the Dudok Quartet Amsterdam converge in a fusion of musical traditions.

With this album, Oldfield began to make an attempt to break down his extended structures into a more commercially acceptable format, with the side-long title track being separated into four sections. Early versions of the album included "Sally," Oldfield's paean to his partner Sally Cooper, while later pressings include "Into Wonderland."

With 1984's Discovery, Mike Oldfield seems to be back on track, utilizing the vocal power of Maggie Reilly and the drum playing of Simon Phillips to create some rather appealing selections. "The Lake" is a simply gorgeous instrumental inspired by Switzerland's Lake Geneva, the location in which the album was recorded, while "To France" is a powerful pop/rock tune based on the life of Mary, Queen of Scots. Both Reilly and Barry Palmer share the vocal duties throughout the tracks, signifying Oldfield's subtle emergence into a more pop-infused atmosphere. "Tricks of the Light" is a wonderful instrumental that relies on the keyboard to give it energy, while even so-so efforts like the title track and "Poison Arrows" come off as upbeat and inspired. Discovery peaked at number 15 in the U.K., and even though it didn't garner much attention elsewhere, it serves as one of Mike Oldfield's most entertaining releases from the decade.

Another underrated work, characterized by a lot of interesting keyboards and his usual talent as well… sometimes closer to such classic "Light Prog". In other circumstances it's more in the vein of such Ambient/Acoustic New Age, but always filtered through his versatility and huge important music experience, in the course of his long career.