Mike Monford

After suffering a debilitating shoulder injury from years of touring and endless recording sessions, cellist Ofra Harnoy underwent reconstructive surgery in 2015. A successful physical therapy allowed her to return to the stage in 2018 and, earlier this year, to start recording her much anticipated comeback album, Back to Bach. It is an album of profound musicality and passion which features Baroque favourites, such as Bach’s Air from Orchestral Suite No. 3 andBist du bei mir, as well as some lesser known gems from composers such as Allegri and Corelli.

Mike Zito is one who enjoys returning to his blues roots, playing electric guitar and ripping though songs with his sawtooth-sharp voice. Pearl River – his fifth album – is quite different than the previous effort Today, which was more rock-oriented, and focuses on not only contemporary urban tunes but a few acoustic folk-oriented ones, and the basis of all of his music, the sound of New Orleans. He's got help from guitarist Anders Osborne and keyboardist Reese Wynans from Stevie Ray Vaughan's band, and there are guest appearances from Cyril Neville, Johnny Sansone, Lynwood Slim, Randy Chortkoff (also his producer,) and Susan Cowsill (yes, she of the Cowsills fame). It's good to hear Zito dig deep into songs like the title track, Neville's pure, slow blues, the New Orleans shuffle treatment of Sonny Boy Williamson's "Eyesight to the Blind," and Mel London's rocksteady "Sugar Sweet."

Gulf Coast Records' Blues Music Award-Winners Mike Zito and Albert Castiglia bond as Blood Brothers on new CD coming early 2023. Blood Brothers was produced by Joe Bonamassa and Josh Smith and recorded at Dockside Studio in Maurice, Louisiana.

The live attempts at recreating the seminal jam chemistry of Super Session were hit-and-miss affairs, and this one, previously unreleased, has its fair share of off-key and off-target tunes. The rhythm section is erratic, the repertoire–ranging from Simon & Garfunkel's "59th Street Bridge Song (Feelin' Groovy)" to an Elvis-flavored "That's All Right Mama"–is a bit odd, and co-leader Al Kooper is competent but rarely inspired. Guitarist Michael Bloomfield, however, is uniformly brilliant and his graceful blues virtuosity is by itself well worth the price of admission. Bloomfield and the group are joined on B.B. King's "It's My Own Fault" by a then-unknown Johnny Winter and things get really interesting.

With his sophomore effort for Dawn, everything came together for guitarist and songwriter Mike Cooper. Trout Steel established him as one of the pre-eminent players on the Brit folk and blues scenes. Given his organic approach to composing; his truly dazzling abilities with acoustic and slide guitars; and his predilection for just the right sidemen and arrangements, Cooper was among the most poised musicians of his generation, and Trout Steel proves the point time and again over its 11 tracks.

Mike Wheeler has been playing the blues for almost 30 years and has played with Koko Taylor, Buddy Guy, B.B. King, Shemekia Copeland, Jimmy Johnson, Son Seals, Willie Kent and a who's who of today's Chicago Blues! Mike is an extraordinary blues singer, songwriter and guitarist. He wrote most of the material on Self Made Man including the title track where he sings ''I'm a self made man and I made myself have the blues''. Mike is accompanied by his regular group including Brian James, keyboards; Larry Williams, bass; Cleo Cole, drums and special guest Omar Coleman, harmonica on three songs.

Texas Guitarist Mike Morgan reunites with his former Black Top label-mate Lee McBee and longtime friend Randy McAllister on Stronger Every Day. This album features all original material except a reading of Gatemouth Brown's classic Okie Dokie Stomp. Lee McBee's pleading vocal on "Sweet Angel" leads to a fiery solo by Mike and soul is visited by Randy McAllister on "Where's the Love", "When I Get Back Home" and the title track "Stronger Every Day."

Mike Morgan is back with a few surprises up his sleeve. "Texas Man" is the first CD where you will find the Dallas native as both guitarist and lead vocalist. The self-produced album not only features Mike singing for the first time, but fans can hear him backed by some of the best in the business. Fellow Texans Anson Funderburgh and Johnny Moeller lay down the rhythm guitar tracks and top-notch harp man, Gary Primich, lends his talents as well. On "Texas Man," Mike has managed to mix together the styles of Hound Dog Taylor, Earl Hooker and Elmore James and make it his own.

Dallas-raised guitarist, singer, and songwriter Mike Morgan formed his blues and blues-rock band in the late '80s, amid that city's still thriving nightclub scene. Morgan, who got his first guitar in elementary school, was inspired to play better guitar after hearing Stevie Ray Vaughan's debut album, Texas Flood, in 1985. He grew up in suburban Dallas listening to the radio and being inspired initially by people like Otis Redding and Wilson Pickett. Morgan had been playing rock guitar prior to this, but after 1985 he jumped with both feet into playing blues and blues-rock. Although he was motivated and influenced by the late legendary Vaughan, Morgan also cites T-Bone Walker, Magic Sam, and fellow Dallas area musician Anson Funderburgh as influences on his music…