Mikhashoff Songs And Dances

Valery Gergiev and the Mariinsky Orchestra celebrate Mussorgsky with the release of two of his most cherished works, 'Pictures at an Exhibition' and 'Night on a Bare Mountain' (performed here in Mussorgsky’s original version). Gergiev is at his finest conducting these paragons of Mussorgsky’s work, featured alongside which are the seldom heard 'Songs and Dances of Death', composed during the years 1875 to 1877 and left languishing unpublished during the composer’s lifetime. One of Mussorgsky’s most powerful compositions, each song deals with death in a poetic manner reflecting experiences not uncommon in 19th century Russia: child death, death in youth, drunken misadventure and war.

The King's Noyse are a terrific ensemble who have made a lot of very good discs indeed over the years. This is among them. It is billed as a disc from 1995 of dance music and song from Italy between about 1580 and 1650, which though strictly accurate, may be a little misleading. Lively dance rhythms are certainly there, but a good deal of the disc is contemplative and sometimes rather melancholy in feel. There are single works by both Monteverdi and Gesualdo but the other works are largely by much more obscure composers, and although I know a little of some like Rovetta and Castello, most were completely new to me. I always like to be introduced to new composers, and the music is very fine throughout the disc.

Sergei Leiferkus has a fine and distinctive baritone, but what makes him a truly exceptional singer is his formidable talent as an actor, and never has this been more persuasively captured on record than here. From his electrifying and chilling interpretation of Songs and Dances of Death, in which, as Death, he assumes four very different guises (vindictive, romantic, seductive and bellicose), to the bright, faux-naïf songs of The Nursery, where, with no sense of awkwardness, he affects an improbably high but convincingly childlike voice, rattling off the silly ‘ta-ta-ta-ta’s of ‘Hobby-Horse’ with aplomb, then slipping seamlessly into the familiar adult tone of the nanny or parent, he demonstrates daunting versatility.

Laughter, derision, parody, jokes and satire: all 'tools for social survival' (Éric Smadja). The comic, parodic and satirical poetry presented on this CD provides, in performance, a thematic backdrop to a rich feast of medieval music. While at its heart lies a group of earthily humorous 15th-century sonnets in Paduan dialect — whose local flavour is typical of folk tradition but whose literary qualities are skilfully exploited — this collection of music, songs and courtly dances can only be defined as European (in the sense that these works are cross-cultural, rather than having anything to do with the modern political entity).

The Chhau & Nagpuri Group performs mask dances depicting battles of famous heroes and scenes from Indian mythology as well as village ceremonies, dances and folk songs. The music, played on purely ethnic instruments, is energetic and exciting.

After two albums devoted to Ireland and Scotland, Alix Boivert and The Curious Bards cross the North Sea to Sweden and Norway. Rejecting the artificial distinction between ‘art’ and ‘folk’ music, they give us a chance to hear the colourful and varied world of eighteenth-century Scandinavian songs and dances.