Miles Davis Bitches Brew

Miles Davis - Bitches Brew Live (2011) {Columbia–Legacy 88697 81485 2 rec 1969-1970}
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© 1969-70, 2011 Columbia / Legacy / Sony Music | 88697 81485 2
Jazz / Fusion / Jazz-Rock / Trumpet

Before looking into the musical quality on Bitches Brew Live, it's important to note for cost-conscious consumers that none of this material appeared on the Bitches Brew: 40th Anniversary Collector's Edition or the 40th Anniversary Deluxe Edition. The material contained here is compiled from two concert performances. The first three tracks were taken from the Newport Jazz Festival in July of 1969, preceding the release of the album by nine months. The last six were recorded at 1970 Isle of Wight Festival, four months after the album hit store shelves.

Miles Davis - Bitches Brew (1969) {2006 DSD Japan Mini LP Edition Analog Collection SICP 1220~21}
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© 1969, 2006 Sony Music Japan / Columbia | SICP 1220~21 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Thought by many to be among the most revolutionary albums in jazz history, Miles Davis' Bitches Brew solidified the genre known as jazz-rock fusion. The original double LP included only six cuts and featured up to 12 musicians at any given time, some of whom were already established while others would become high-profile players later, Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, and Lenny White among them. Originally thought to be a series of long jams locked into grooves around keyboard, bass, or guitar vamps, Bitches Brew is actually a recording that producer Teo Macero assembled from various jams and takes by razor blade, splice to splice, section to section.

Miles Davis - Bitches Brew (1970) {3CD+DVD, 40th Anniversary Collector's Edition, Columbia-Sony Music rel 2010}
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DVD5 -> 3.57 Gb | All Regions | NTSC 4:3 | LPCM, 2 ch | ~ 71m | ISO Image
© 1970, 2010 Columbia / Legacy / Sony Music | 88697 75520 2
Jazz / Fusion / Jazz Rock / Trumpet

Historic debate over the relevance and merits of trumpeter Miles Davis' seminal jazz-rock fusion masterwork Bitches Brew (Columbia), especially upon this year's 40th anniversary of its original 1970 release, could fill every page of even a paperless internet jazz e-zine (a body of work to which Greg Tate's companion essay adds: "Bitches is a multi-clawed, multi-tentacled, multi-brained creature whose center of gravity never stays preoccupied with one body part for too long"). But one point seems certain: two live performances of this electrifying music—one from 1969 on a bonus DVD, the other from 1970 on a bonus CD—are the genuine treasure troves of this 40th anniversary Collectors' Edition.

1970 serves as a tectonic shift within the crossroads of American popular music. With rock and roll on the cusp of dive bombing into its arena-era, the more adventurous and esoteric off-shoots tended to be whisked away from the spotlight while oppressive corporate behemoths drooled at the opportunity to rule labels, touring, publicity and all of their ancillary business interests with an iron fist.

The last performance of the lost quintet. The 'third great quintet' by itself was never documented in the recording studio. Their European tour of 1969, represented on this new CD, is one of only two existing recordings of the group; this is the final second set never released before. In 1969, Miles was promoting his million selling album Bitches Brew and recorded 4 superbly remastered live tracks in a rare radio recording from Rotterdam lost for many years. Remastered to an amazing powerful sound, the album includes alternate versions of tracks found on Miles globally successful album Bitches Brew. The recording highlights Miles ever expanding progression in sound, developing on his Jazz based roots into the more prominent Jazz/Rock fusion style that he latterly became known for.

Various Artists - Miles From India (2008) {2CD Set Times Square Records TSQ-CD-1808, Miles Davis alumni}
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© 2008 Four Quarters Ent. / Times Square Records | TSQ-CD-1808
Jazz / Fusion / Post Bop / Jazz Funk / Modal Music

Mixing the music of jazz icon Miles Davis with sounds and instruments from India, as producers Bob Belden and Yusuf Gandhi did on Miles from India, was far from an outrageous proposition. Davis set the precedent himself — not only with his use of Indian players like the tabla virtuoso Badal Roy in sessions issued on albums like Big Fun and Get Up with It, but also with his sinuous modal compositions stretching back to 1959's epochal Kind of Blue and continuing through his electric period of the '70s.