Miles Davis Complete Plugged Nickel

Miles Davis - The Complete Live At The Plugged Nickel 1965 (1995) {8CD Box Set Columbia CXK 66955}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.72 Gb | MP3 @320 -> 1.04 Gb
Full Artwork @ 300 dpi (jpg) -> 38 Mb | 5% repair rar
© 1965, 1995 Sony Music / Columbia / Legacy | CXK 66955
Jazz / Hard Bop / Modal Music / Post Bop

This eight-CD set captures Miles Davis's second great quintet at its fiercest, loose with both the blossoming of familiarity between the players and the broadness of its attacks on the mostly well known tunes the group called during two nights at Chicago's Plugged Nickel in 1965. And you can hear it all, from "The Theme" that closed the quintet's sets to multiple, radically different takes of several tunes. Davis formed this band with just its heated potential in mind, opting for youth in Wayne Shorter's tenor sax, Herbie Hancock's piano, Ron Carter's bass, and, especially, Tony Williams's unlocked rhythmic energy.

Miles Davis Quintet - Live At The Oriental Theatre 1966 (2010) {2CD Set Sunburn 9339880}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 519 Mb | MP3 @320 -> 217 Mb
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© 1966, 2010 Sunburn | 9339880
Jazz / Hard Bop / Modal Music / Trumpet

This release contains a complete previously unissued concert by the 1966 Miles Davis Quintet. Recorded at the impressing Oriental Theatre in Portland shortly before it was demolished, it presents the only existing testimony of bassist Richard Davis playing with Miles. Among its many highlights are many great trumpet solos by Miles, including his only existing version of "Who Can I Turn To ?" a free jazzoriented So What, and a beautiful reading of My Funny Valentine.

Miles Davis - Seven Steps: The Complete Columbia Recordings Of Miles Davis 1963-1964 (2004) {7CD Columbia C7K 90840}
EAC rip (secure mode) | FLAC+CUE+LOG -> 2.12 Gb | MP3 @320 -> 958 Mb
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© 1963-64, 2004 Columbia / Legacy / Sony Music | C7K 90840
Jazz / Hard Bop / Modal Music / Trumpet

Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 is an anomaly among the retrospective sets that have been issued from the late artist's catalog. It does not focus on particular collaborations (Miles with Coltrane, Gil Evans, the second quintet), complete sessions of historic albums (Bitches Brew, In a Silent Way, and Jack Johnson), or live runs (Plugged Nickel and Montreux). Instead, it is a portrait of the artist in flux, in the space between legendary bands, when he was looking for a new mode of expression, trying to find the band that would help him get there. These seven CDs begin after the demise of bands that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, Jimmy Cobb, and Wynton Kelly, after his landmark Gil Evans period, and even after his attempts at creating a new band with everyone from Frank Strozier and Harold Mabern to Sonny Rollins and J.J. Johnson.

Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.

As the fourth (fifth, if you count the Complete Live at the Plugged Nickel) entry in Columbia's celebrated series of Miles Davis box sets, The Complete Columbia Recordings: Miles Davis & John Coltrane was perhaps the most anticipated set, and it's easy to see why. The push and pull between Miles and Coltrane resulted in dynamic recordings that set the standard for modern jazz – and this was for their Prestige recordings, before they even moved to Columbia. Once Miles relocated to Columbia, he began to push the boundaries of his music. The progression from the sublime, after-hours 'Round About Midnight to the modal Milestones is remarkable – all the more so when Kind of Blue, the culmination of Davis' modal direction, is taken into the equation.

Miles Davis Quintet - Live in Europe 1967: The Bootleg Series, Vol. 1 (2011) {3CD + Bonus DVD5 NTSC}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 782 Mb | MP3 @320 -> 474 Mb
DVD5 -> 3.86 Gb | All Regions | NTSC 4:3 | LinearPCM, 2 ch | ~ 65 min | ISO Image
Full Artwork @ 600 dpi (jpg) -> 305 Mb | 5% repair rar
© 1967, 2011 Columbia / Legacy / Sony Music | 88697 94053 2
Jazz / Hard Bop / Post Bop / Modal Music / Trumpet

The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.