This edition presents the Rome and Copenhagen performances by the 1969 Miles Davis Quintet with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette. The band toured Europe from October 26 to November 9, 1969. In his autobiography, Miles would state that this group was “really a bad motherfucker”.
This single CD gives one a definitive look at Miles Davis' live show from his last three years. Using funky but unpredictable rhythm sections and leaving space for plenty of solos, Davis created a unique brand of fusion that has yet to be satisfactorily duplicated. Among his more notable sidemen during this era are altoist Kenny Garrett, Foley on lead bass (which he used as a lower-toned guitar), one or two keyboardists chosen from Joey DeFrancesco, Adam Holzman, Robert Irving III, Kei Akagi, and John Beasley, various bassists, drummers, and percussionists, and on "Amandla," the tenor of Rick Margitza. Davis is in consistently strong form throughout the numbers, which include "In a Silent Way," "New Blues," "Human Nature," "Tutu," and "Time After Time." Quite often the live versions of these songs are more creative and exciting than the ones previously issued.
This edition presents for the first time ever on CD, the Berlin performance by the 1969 Miles Davis Quintet with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette. Wayne Shorter left the band in the fall of 1969, and this quintet was to be soon replaced by new formations with even greater accents on percussion, fusion and funk. The band toured Europe from October 26 to November 9, 1969 after Miles Davis had recorded In A Silent Way. The Rome and Copenhagen performances by the same group can be found on a companion double CD set from the same label.
Miles Davis was a towering a figure in the world of Jazz music throughout his long recording and performing career, playing the trumpet like no one else could. His significance can never be understated and his artistry is as crucial to the development of Jazz as was the great Louis Armstrong. Davis laid the foundation for musical innovation to expand beyond it's perceived boundaries through his sheer genius and attention to every detail of a performance. These two discs document his final concert performance before his tragic passing. 'The Man With The Horn' was clearly not ready to go as he valiantly fought against the HIV disease that robbed him of life. To the end, his artistry ever evolving and not to be missed.
This single CD gives one a definitive look at Miles Davis' live show from his last three years. Using funky but unpredictable rhythm sections and leaving space for plenty of solos, Davis created a unique brand of fusion that has yet to be satisfactorily duplicated. Among his more notable sidemen during this era are altoist Kenny Garrett, Foley on lead bass (which he used as a lower-toned guitar), one or two keyboardists chosen from Joey DeFrancesco, Adam Holzman, Robert Irving III, Kei Akagi, and John Beasley, various bassists, drummers, and percussionists, and on "Amandla," the tenor of Rick Margitza. Davis is in consistently strong form throughout the numbers, which include "In a Silent Way," "New Blues," "Human Nature," "Tutu," and "Time After Time." Quite often the live versions of these songs are more creative and exciting than the ones previously issued.
Timeless Radio Recording. Recorded by KPFA-FM.
Timeless Radio Recording. Recorded by KPFA-FM.