Ministry Of Sound Made In The

This odd Euro-metal vibe is so much fun, and at the roots of a lot of other thrash, doom and stoner metal, especially the continental stuff. Die Krupps is on the shelves of a lot of other outfits - pick up "the Final Option" and you'll understand why, and probably even be able to hear why…

Lorin Varencove Maazel was born of American parents in Neuilly, France on March 6, 1930 and the family returned to Los Angeles when Lorin was still an infant. He exhibited a remarkable ear and musical memory when very young; he had perfect pitch and sang back what he heard. He was taken at age five to study violin with Karl Moldrem. At age seven he started studying piano with Fanchon Armitage. When he became fascinated with conducting, his parents took him to symphony concerts, then arranged for him to have lessons with Vladimir Bakaleinikov, then assistant conductor of the Los Angeles Philharmonic.

When Al Kent launched the Million Dollar Disco label back in the '90s "Disco House" was all the rage. A life spent hoarding rare soul and disco records, a keen ear for a sample and a few years of DJing already under his belt stood him in good stead when it came to making music. Inspired by labels like Azuli with their Chocolate Fudge and Disco Elements EPs he made a load of tracks by sticking house drums on top of disco samples and released somewhere in the region of twenty 12" singles, many of which found their way into top DJs' charts. Despite encouraging signs with tracks being signed to high profile labels like Z Records, Defected Hed Kandi and even his beloved Azuli, the Disco House formula soon ran its course and Al looked for a fresh challenge. So he recorded an orchestra instead. "Better Days" by the Million Dollar Orchestra was released as a double album by BBE in 2008, having taken the best part of two years to make. Not many producers would have the flair to go from cutting up samples to recording a 26 piece band, but Al did it with aplomb.

Seven years in the making, the official retrospective of one of Somalia's most famous and beloved private bands, Iftin. Digitized from cassettes recorded between 1982 and 1987 at the legendary Al-Uruba hotel's secret studio and the jams for the masses performed in the basement of Somalia's national theater. Banaadiri rhythms from Somalia's south, Mogadishu's finest vocalists, Dhaanto reggae-like guitar licks, and smoldering brass blend seamlessly with the sounds of Asia, the Middle East, and Africa to form one of rawest, most cosmopolitan eras of music anywhere. Iftin's Mogadishu is where the world's sounds begin and end.