Miss Robin Crusoe (1954) Eugene Frenke, Amanda Blake, George Nader, Rosalind Hayes

Caravan to Midnight is the 6th studio album by Robin Trower Robin's usual guitar playing that combines a unique blend of blues and soul is sometimes pushed to the back here probably because of the disco movement affecting the way rock artists approached music at the time…

It does not take very long to realize that this is a nicely put together record. The singing is intense in somewhat of a Springsteen/David Eugene Edwards (Woven Hand) manner, but unique from them. The surrounding instrumentation weaves in and out in a folk rock manner at times and works as a full throttle rock band at others. The Singer-Songwriter category does not quite do justice to the songs. I would say rock fans will like this more than people wanting straight folk, but it has a good general appeal to both the crowds seeking lighter thoughtful material and those that want a good rock beat. The music is rather universal and what is truly interesting is that the California duo behind this band has historically done so much better in Europe than in the US. While I often can understand why some great European born music may not translate as well in the US (and vice versa), I have never understood why several great US bands (Wipers, 16 Horsepower) do so much better in Europe. Add this band to that list, as US listeners need to join in. I believe this album of eleven original songs comes with a bonus CD containing a full live set. (David Hintz)

Frank Foster & George Wallington - Here Comes Frank Foster & Showcase (1954) {Blue Note 95750 rel 1998}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 426 Mb | MP3 @320 -> 161 Mb
Full Artwork @ 600 dpi (jpg) -> 33 Mb | 5% repair rar
© 1954, 1998 Blue Note / Capitol | 7243 4 95750 2 8
Jazz / Bebop / Hard Bop / Piano / Saxophone

This double reissue combines saxophonist Frank Foster's first U.S. recording and a session led by pianist George Wallington that took place one week later with Foster sitting in. Recorded for Blue Note in Hackensack, NJ, on May 5, 1954, Here Comes Frank Foster (also issued as New Faces, New Sounds) was only Foster's second album as a leader. His debut album was recorded one month earlier for the Vogue label in Paris, France. Here Comes Frank Foster fits neatly with other albums from the mid-'50s Blue Note catalog.