Missa Pastoralis Bohemica

Josquin Deprez - Missa Gaudeamus  Music

Posted by rahmses at Jan. 12, 2013
Josquin Deprez - Missa Gaudeamus


Josquin Deprez - Missa Gaudeamus
APE | Front cover | RAR | NO CUE, NO LOG | EAC | 337Mb
Astree label | 1 CD | Renaissance
Kammerchor Stuttgart, Barockorchester Stuttgart & Frieder Bernius - Zelenka: Missa Gratias agimus tibi (2024)

Kammerchor Stuttgart, Barockorchester Stuttgart & Frieder Bernius - Zelenka: Missa Gratias agimus tibi (2024)
WEB FLAC (Tracks) 203 MB | Cover | 51:20 | MP3 CBR 320 kbps | 120 MB
Classical, Vocal | Label: Carus

Balance of splendour and measure: It is the story of a renaissance. Sorely neglected for many years, the music of Jan Dismas Zelenka has in recent decades regained its place on the concert stage thanks to newly edited scores and enthusiastic performers. Born in Bohemia, trained in Prague and later reaching his full maturity in Dresden, Zelenka placed his own unique stamp on the music of his age, already enjoying great admiration during his lifetime.
Gaétan Jarry, Ensemble Marguerite Louise - Charpentier: Missa Assumpta est Maria (2025)

Gaétan Jarry, Ensemble Marguerite Louise - Charpentier: Missa Assumpta est Maria (2025)
FLAC (tracks), Lossless +Booklet | 66:34 | 378 Mb
Genre: Classical

Having reached the peak of his art, Marc-Antoine Charpentier composed his final mass, Assumpta est Maria, around 1669. Composed around the theme of the Assumption of the Virgin, central to the Catholic religion, this grandiose work blends Italian influences and French style. Charpentier succeeded in combining devotion and virtuosity, making the Assumpta est Maria Mass one of the masterpieces of Baroque sacred music, still appreciated for its mystical depth and musical brilliance. Gaetan Jarry, accompanied by his ensemble Marguerite Louise, gives a superb performance that brings out all the expressiveness and solemnity of this mass.
Gaétan Jarry - Charpentier Missa Assumpta est Maria (2025) [Official Digital Download 24/96]

Gaétan Jarry - Charpentier Missa Assumpta est Maria (2025) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 66:52 minutes | 1,29 GB
Classical | Studio Master, Official Digital Download

Having reached the peak of his art, Marc-Antoine Charpentier composed his final mass, Assumpta est Maria, around 1669. Composed around the theme of the Assumption of the Virgin, central to the Catholic religion, this grandiose work blends Italian influences and French style.
Cinquecento - Isaac: Missa Wohlauff gut Gsell von hinnen & Other Works (2021) [Official Digital Download 24/96]

Cinquecento - Isaac: Missa Wohlauff gut Gsell von hinnen & Other Works (2021)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 78:03 minutes | 1,46 GB
Classical, Sacred, Vocal | Label: Hyperion Records, Official Digital Download

A talent eagerly sought by Lorenzo de Medici in Florence and later by Maximilian I in Vienna, Heinrich Isaac enjoyed a distinguished reputation during his lifetime. Listening to these idiomatic accounts from Cinquecento, its easy to understand why.
The Hilliard Ensemble - Dufay: Missa Se la face ay pale (Live at Stadtpfarrkirche Mariä Himmelfahrt Melk, 2003) (2024) [24/44]

The Hilliard Ensemble - Dufay: Missa Se la face ay pale (Live at Stadtpfarrkirche Mariä Himmelfahrt Melk, 6/8/2003) (2024)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 32:09 minutes | 326 MB
Classical, Sacred, Vocal | Label: Fra Bernardo, Official Digital Download

Guillaume Dufay was undoubtedly the greatest musician of the fifteenth century. The Missa Se la Face ay Pale is the first of the four Great Masses of his maturity. While ushering in the Renaissance period, this work represents a culmination in the music of the Middle Ages.
Bayerische Kammerphilharmonie - Leopold Mozart: Missa Solemnis (2019)

Bayerische Kammerphilharmonie, Alessandro De Marchi, Vendittelli, Rennert, Grahl, Mittelhammer & Das Vokalprojekt - Leopold Mozart: Missa Solemnis (2019)
WEB FLAC (tracks) - 264 Mb | MP3 CBR 320 kbps - 114 Mb | Digital booklet | 00:48:18
Classical, Sacred Vocal | Label: Aparté

“Right after God comes my Papa.” These were young Wolfgang’s words of praise for his father Leopold Mozart. 2019 is the anniversary of Leopold that Aparté celebrate with a gorgeous recording of his Missa Solemnis.
Ketil Haugsand - Carlos Seixas: Missa, Sonatas, Harpsichord Concerto (2011)

Ketil Haugsand - Carlos Seixas: Missa, Sonatas, Harpsichord Concerto (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 02:10:35 | 749 MB
Genre: Classical | Label: Virgin Veritas | Catalog: 096 3492

Virgin Classics is proud to present a new batch of titles from the Veritas x2 series. From 11th-century polyphony to Bruckner, these exclusive 2-CD sets focus on baroque and early music performed only on period instruments. Award-winning performances, Veritas x2 is the finest collection of period instrument recordings available today.
Mari Eriksmoen, Kristina Hammarström, Mark Milhofer, Christian Senn, Kammerorchester Basel - Haydn: Missa Cellensis (2025)

Mari Eriksmoen, Kristina Hammarström, Mark Milhofer, Christian Senn, Zürcher Sing-Akademie, Kammerorchester Basel, René Jacobs - Haydn: Missa Cellensis (2025)
FLAC (tracks), Lossless +Booklet | 1:07:16 | 332 Mb
Genre: Classical

This recording is the first of a collaboration between René Jacobs, the Kammerorchester Basel, the Zürcher Sing-Akademie and Alpha Classics and will involve the release of four albums between 2025 and 2028; the first of these is the Missa Cellensis, then three albums devoted to Haydn’s last six masses. Haydn was commissioned in 1766 to write a Missa Solemnis, the Latin term for a fully scored mass with trumpets and timpani; it is the third and largest of Haydn's fourteen masses. It was under this erroneous name that the 1766 Missa Cellensis remained known until 1975, when a fragment of the autograph score containing the title page, Kyrie I and Christe was found in Bucharest and revealed that Haydn had in fact composed two Missæ Cellenses. It is the first of these (1766) that is recorded here. René Jacobs puts all his expertise and enthusiasm at the service of this music that he loves so much, in collaboration with soloists with whom he works regularly, an orchestra that is also a longstanding partner, and the remarkable choir of the Sing-Akademie of Zürich.
Il Gardellino & Peter van Heyghen - Jommelli: Missa pro Defunctis, Libera me & Miserere (2020)

Il Gardellino & Peter van Heyghen - Jommelli: Missa pro Defunctis, Libera me & Miserere (2020)
WEB FLAC (tracks) - 298 Mb | MP3 CBR 320 kbps - 147 Mb | 01:04:03
Classical, Choral, Sacred | Label: Passacaille

Niccolò Jommelli was one of the most sought after composers of his time, but finally accepted to become musical director at the court of Stuttgart in 1753. Three years later he composed his Requiem to commemorates the recent death of the Duchess von Württemberg, mother of his patron, the Duke Carl Eugen.. Despite the fact that Jommelli owed his fame almost exclusively to his operas during his lifetime, the Requiem became his most famous work after his death; the almost one hundred handwritten and printed copies of the entire work or fragments of it that have survived in some seventy libraries throughout Europe, some also in the USA, bear witness to this. Whilst the score and parts of the first performance have been lost, we can still form a reasonably good idea of the original instrumentation thanks to a surviving list of payments made to the musicians. We know that there were eight singers (one female and seven male) in addition to Jommelli.