Considering the talent that he shows throughout this 1983 album (which was released for the first time in 1995), it is very surprising that tenor-saxophonist Bobby King is so obscure. Based in Los Angeles and a veteran of stints with Lionel Hampton, Stan Kenton, Maynard Ferguson, and Don Ellis, among others (and one who sat in with John Coltrane and Miles Davis), King is an impressive tenor-saxophonist who also plays some Phil Woods-inspired alto on "War and Peace." Although four of the six selections are straight-ahead, Bobby King is not shy to take the music outside, and is open to the tonal distortions of Coltrane, Ornette Coleman, and Albert Ayler.
When one evaluates Paul Horn's career, it is as if he were two people, pre- and post-1967. In his early days, Horn was an excellent cool-toned altoist and flutist, while later he became a new age flutist whose music is often best used as background music for meditation…
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Bassist Clint Houston never made many albums as a leader, but all of them are well worth tracking down – and this one may be the best of the bunch! The set has Clint working with frequent musical partner Joanne Brackeen on piano, as well as Ryo Kawasaki on guitars – who'd played with Joanne around the same time – and percussionist Rubens Bassini completes the group, and adds in some great subtle elements at the bottom. Tracks are long, and often very personal – quite different than the sort of music that many other bassists might provide as a leader – and a great showcase for Houston's highly melodic approach to his instrument. Clint plays both acoustic and electric, and a bit of guitar as well – and titles include "Black Thing", "Geri", "Goodbye Mr P", "You Are Like The Sunshine", and "Letitia".
Ravi Shankar, the figurehead of world music, was invited in 1988 to work with Russian musicians on a concert to mark the end of an Indian Festival in the Soviet Union. This recording was made on July seventh of that year, with over 140 musicians present: Shankar's Indian Ensemble, the Russian Folk Ensemble, the Government Chorus of Ministry of Culture of USSR, and the chamber orchestra of the Moscow Philharmonic. Shankar composed all seven of the pieces here as a melding of the musics of India and Russia.
Inside the Taj Mahal is an absolute classic on which most experts agree. It (the new age) truly started here. Paul Horn is, by extension, the father of new age music. Armed with a flute, a tape recorder, a chanter, and a 28-second sustained echo, Horn created one of the most beautiful and significant albums of all time - regardless of genre or style. There have been many discs of solo flute and processed overtones since this one. None have been on the same cutting edge.
This is an instrumental album of the Ukrainian band Inside The Sound. Album contain 12 tracks in modern-art-prog-rock-guitar style released in 2010. Sounds like Joe Satriani, Steve Vai, John Petrucci, Liquid Tension.
Digitally remastered and expanded edition of this 1983 album including five bonus tracks. Commercial success had finally arrived for The Tubes with the release of Completion Backward Principle. The rock radio airplay and Top 40 success generated by that release set the stage for a return to the studio with producer David Foster attempting to recapture the magic for Outside/Inside. The band did not disappoint as the album came screaming out of the gate with "She's a Beauty", the biggest hit the band would ever have. The single went Top 10 and was a #1 rock record so the band now had both sides of the FM/AM dial fully covered.