Mo'plen 3000 (space Killer Tracks From The Past … Till The Third Millennium

Los Mads started out in the mid-1960s, playing covers and a few of their own songs on Peruvian television. But a chance sea-side encounter with Mick Jagger and Keith Richards after a private party got the Mads the chance to go to England; interest from Stones' manager Marshall Chess got them backstage to see Hendrix at the Isle of Wight - and recording time in the Rolling Stones studio. Some demos recorded there and at Jagger's Stargroves castle (recorded live to studio truck, just like Led Zeppelin did for their third and fourth albums) plus a name change to Molesto got them gigs at the main venues in London. They jammed with Steve Winwood and Brian Davison (The Nice); they played with Jeff Beck and Carmine Appice; Molesto's guitar player, Alex Ventura, worked in a clothing boutique alongside Freddie Mercury and Roger Taylor…

After six years of silence, Italian gothic doom metal cult band The Foreshadowing returns with a new EP entitled "Forsaken Songs". During the pandemic they decided it was time to start again working on new music and restart band activities. "Forsaken Songs" collects new unreleased material and special tracks from the past.
Founded in 2005, The Foreshadowing gained popularity in the international gothic doom scene with four acclaimed albums released between 2007 and 2016. During this time, the band toured all over the world and performed at some of the most important festivals, such as Summer Breeze, Rock Harz, Wave Gotik Treffen, Stoner Hand of Doom, Legacy, Mayday Rock Festival and Summer Darkness - alongside Lacuna Coil, Moonspell, Katatonia, Saturnus, October Tide, Tiamat, My Dying Bride and many others.

Trails to the Cosmic Vibrations is a split LP that brings together two bands from Asia with outwardly contrasting dispositions, while sharing sympathetic resonances.

Sun Ra was a true innovator, releasing music that was a bit different to his peers from his earliest output. But what would Sun Ra have made of today’s music scene? If he is looking down from his cosmic realm, he’ll be pleased to know that his music from the past still sounds eerily futuristic. Recorded in just one day, on October 10, 1961, The Futuristic Sounds of Sun Ra features 11 tracks. Among the selections is the Latin-influenced opener, “Bassism,” the bluesy “Of Sounds and Something Else,” and the aptly named, “What’s That?,” which breaks into a four-saxophone improvisation, stands out as an example of Ra’s early experimental work.

Space Debris hail from the Odenwald region in Germany. The members' main concern is to play improvised music reminiscent to 70s krautrock and psychedelic bands.
Into the Sun: Live at Burg Herzberg Festival 2006 (2007). These guys wear their 70s influences on their shirtsleeves and for a full blown heavy jamming prog-psych-krautrock experience you can do no better than Space Debris. Like their previous albums the guys get a jam going and just take off, with most of the tracks being in the 14-18 minute range, giving them plenty of room to stretch out and explore. This is a world where the guitar and Hammond organ reigns supreme dueling and trading leads throughout…

Space Debris hail from the Odenwald region in Germany. The members' main concern is to play improvised music reminiscent to 70s krautrock and psychedelic bands. The group started as a trio comprised of Tommy Gorny (guitar), Tom Kunkel (Hammond organ) and Christian Jäger (drums). Supported by many friends having guest appearances they already could produce seven albums starting with the year 2002. Their first one was the self-released double LP 'Krautrocksessions 1994-2001' consisting of early impressions mainly deriving from 1998/99 recordings. The Hammond is the main reason for a wide range of styles given within their explorations, also including bluesy and jazzy themes as well as heavy prog. Another double LP named 'Kraut Lok' followed in 2005…

The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption. 12 years in the making, this is the third installment of the brothers’ ongoing Gleam series.