Mobile Fidelity

Originally released in 1964 on Columbia, produced by fellow Country Music Hall of Fame inductee Don Law, and featuring note-for-note re-recordings of several staples Johnny Cash made for Sun Records – including the title track, "Hey Porter", and "Big River" – as well as several new originals, I Walk the Line cemented the singer's place as the leading country artist of the era. Indeed, as the original liner notes state, "I Walk the Line offers Johnny Cash, renowned storyteller-in-song, at his creative and performing best". The album was certified Gold by the RIAA in 1967.

The trashed hotel room and communal living depicted on the cover of the J. Geils Band's sophomore album tell you all you need know about the music, spirit, and energy spilling from within The Morning After. Shot through with raw, lean Rock n' Roll sparked by juke-joint blues and loose rhythms, the 1971 set comes on like the most fun, party-still-raging hangover any group in the 70s enjoyed. And now it rolls with an abandon that takes you inside the sweaty, smoky roadhouses and wall-to-wall-packed clubs the group dominated in its heyday. Spirited, Blues-Driven Rock n' Roll Comes on Like a Never-Ending Party: features ace performances by harmonica player Magic Dick Salwitz and vocalist Peter Wolf.

Michael Jackson’s Reign as King of Pop Starts Here: RIAA-Certified Nine-Times-Platinum Off the Wall Blends Funk, Disco, Soul, and R&B in Visionary Ways, Features “Don’t Stop ‘Til You Get Enough” and “Rock With You”
1979 Landmark Presented in Audiophile Sound: Mobile Fidelity’s Numbered-Edition Hybrid SACD Explodes with Energy, Plays with Tremendous Clarity, Detail, and Dynamics. Mobile Fidelity’s numbered-edition hybrid SACD of Off the Wall is sourced from the original master tapes and housed in mini-LP-style packaging. This reissue is made for everyone who desires to immerse themselves in everything involved with the nine-times-platinum landmark — including the iconic album cover with Jackson dressed in a tuxedo.

Marvin Gaye’s "What's Going On" was a landmark recording and is considered one of the greatest albums ever made. Rolling Stone named it Album Of The Year when it came out and, in 2003, it was ranked number 6, the highest for a non-rock album, in Rolling Stone’s 500 Greatest Albums Of All Time. Mobile Fidelity Sound Lab has obtained the master tapes of this landmark album and for the first time What’s Going On has been released on the Super Audio CD.

A Timeless Reflection on America and Ourselves: Simon & Garfunkel’s Searching Bookends Asks Big Questions, Includes “Mrs. Robinson” and “A Hazy Shade of Winter” Mastered on MoFi’s Renowned System at the Label’s California Studio: Mobile Fidelity’s Numbered-Edition Hybrid SACD Magnifies the Brilliance of the Original Recording Sessions.Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel’s Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.

The first compilation based on Franklin's successes of 1967-1968 on Atlantic. Included among the 14 selections here are all of the big bits (nine of which went Top 10) that established Franklin's enduring reputation, from "I Never Loved A Man (The Way I Love You)" to "I Say A Little Prayer." It sometimes got as good as this afterwards, but it never got better.

Women and Children First Is Loaded with 'Works of High-Volume Art' and Eddie Van Halen's Six-String Pyrotechnics: Includes "And the Cradle Will Rock…" and "Everybody Wants Some!!" Mobile Fidelity's Numbered-Edition Hybrid SACD of 1980 Album Plays with Explosive Dynamics, Incredible Detail, and Lively Sound.

The opening track to the Alan Parsons Project's Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of "Sirius" also sets the table for the band's smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity's collectible reissue. Mastered from the original master tapes, this numbered hybrid SACD of Eye in the Sky features succulent warmth, magnificent balance, low-end heft, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road. this super-clean edition will test the full-range capabilities of the world's finest stereo systems.

Mastered on Mobile Fidelity's world-renowned mastering system, this hybrid SACD presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.

Originally released in June 1972, the Eagles' self-titled debut played a significant role in changing the face of mainstream music while setting up a dominant run that's continued for nearly five decades. Produced by Glyn Johns, and home to three massive hits, Eagles established a cleverly restrained, Los Angeles-bred style that would sweep the country and position the group as superstars. Mastered from the original analog master tapes, Mobile Fidelity's numbered-edition hybrid SACD pays tribute to the record's merit and enhances the intimate program for generations to come. Playing with reference sonics that elevate an effort forever prized by audiophiles, this spectacular version provides a clear, clean, transparent, balanced, and intimate view of an album that permanently made California-style rock a style of its own.