Joseph Kerman was a leading musicologist, music critic, and music educator from the 1950s to the 2000s. He reshaped our understanding and appreciation of Western classical music with his first book, Opera as Drama (1956), to his last, Opera and the Morbidity of Music (2008), including his studies on Bach, Beethoven, William Byrd, concertos, and more. He was a professor at the University of California at Berkeley, where he served two terms as chair of the Music Department. He wrote Listen together with his wife, Vivian Kerman.
Born in Majorca c. 1232, three years after the Christian conquest of the island (1229), Ramon Llull had very close contact with Muslim culture. It was not until after he was thirty years old that he gave up his life at court and began to study theology and philosophy. Not long after that, he purchased a Moorish slave in order to learn Arabic. This proximity to the Muslim world gave him an exceptional insight into religion and culture which set him apart from all the intellectuals in the Europe of his day. A tireless traveller, he visited the principal courts of Christendom to rally support for his projects, and he did so while engaging in an intense missionary activity to convert Jewish and, above all, Muslim unbelievers.
The music of Guillaume Dufay is often said to lie on the boundary between medieval and Renaissance. It is complex in the manner of medieval polyphony, sometimes with multiple texts in different languages, and intricate rhyme schemes. Yet, in its evocative use of vertical sonority and its original texts in the songs, it approaches a manner of text-setting that you can recognize as modern. His chansons are not often recorded, so this release of 18 chansons from the Orlando Consort would be welcome on general principles; it has virtues considerably beyond that.