Momo Le Morbaque

Momo Kodama (whose acclaimed album, Point and Line, contrasted Toshio Hosakawa and Claude Debussy) presents the piano concerto which Hosakawa wrote for her, the shimmering "Lotus Under the Moonlight." Composed in 2006, "Lotus" is also an homage to Mozart, with distant echoes of his Concerto No.23 in A Major, the work with which it is paired here in a concert recording from Japan with Maestro Seiji Ozawa and his Mito Chamber Orchestra.

The pianists Mari Kodama, Momo Kodama, Karin Kei Nagano and conductor Kent Nagano present Double and Triple Piano Concertos by Mozart and Poulenc, together with the Orchestre de la Suisse Romande on a new CD recording (Pentatone). Similar to Mozart’s own practice of making music with his family, the Nagano-Kodama family recorded Mozart’s piano concerto No. 7 for 3 pianos and No.10 for 2 pianos as well as Poulenc’s concerto for 2 pianos and orchestra.

Texte intégral révisé suivi d'une biographie d'Antonin Artaud. C'est à l'occasion d'une exposition Van Gogh au Musée de l'Orangerie en janvier 1947, peu avant sa mort, qu'Antonin Artaud écrit ce texte. Il n'y a pas loin, il le sait et il veut qu'on en soit persuadé, de Vincent Van Gogh à Artaud le Mômo. Le ton est âpre, l'ironie mordante, le style jaculatoire. …