Mona Cholet

Jean-Christophe Cholet goes on with his adventure in trio, laboratory of intergenerational encounter. This line-up piano/bass/drums enables him to fully express his deep and tough dense piano playing and to cross his work with the young generation…

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis.
"L'Ombre Et La Lumière" is Mona Lisa's comeback. This 1998 album shows a music that has remained as expressive, poetic, melodramatic and suggestive as ever.

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis.
Сompared with their previous albums, the purpose seems gone and the succession of them is simply not cutting the mustard with this proghead. While two tracks are instrumental, most of the other songs lack LeGuennec's vocals to give it that typical ML touch…

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis. The group got better with each album.
"Grimaces" (1975) exhibits a more extroverted colorfulness, even aiming at the build-up of merry-go-round atmospheres in many places. If Pierson's use of organ and synthesizers in the debut effort was close to a "B"-horror movie with heavy Gothic undertones, now the keyboard layers and solos tend to become festive…

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis. The group got better with each album. "Avant Qu'il Ne Soit Trop Tard" (1977) is a success for this band, given that it mixes the vocal emphasis with the theatricality of its music, and it also goes beyond this thanks to a great instrumental variety and truly captivating and powerful melodies.

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis. The group got better with each album. "Grimaces" and especially "Le Petit Violon De Monsieur Grégoire" are two different landmarks of their technical maturity, that is evident thanks to a Steve Hackett style of guitar and the growth of the singer's vocal power and charisma. A true landmark of the Seventies French Progressive rock scene.

Even on its first record "L'Escapade" (1974), Mona Lisa appeared as a dedicated follower of the theatrical, emotional and melodramatic rock created by Ange. The emphasis, the sensibility, the vocal subtlety of Dominique Le Guennec goes beyond the usual style. He "lives" his lyrics and surprises the listener by performing an expressive and suggestive music that evoke Genesis.