Money Jungle: Provocative in Blue is an album by Terri Lyne Carrington. It won the 2013 Grammy Award for Best Jazz Instrumental Album.
Drummer and bandleader Terri Lyne Carrington won a Grammy in 2012 for her genre-blurring Mosaic Project, which blended the voices and instruments of an all-female cast in a series of bold musical statements. Here Carrington turns her sights toward revisioning a legendary meeting of jazz minds on the recording of 1963's Money Jungle by Duke Ellington, Charles Mingus, and Max Roach. Accompanied by pianist Gerald Clayton, bassist Christian McBride, and a host of guests, Carrington not only reinterprets that album, she adds to its discourse with two of her own compositions and another by Clayton…
Most often heard in large ensembles and rarely in a trio context, Charles Mingus joined forces with pianist Hampton Hawes for this 1957 studio date. It features four standards, two originals by the bassist, and a jam by the group credited to Hawes. While there's nothing particularly arresting or startling about the date, the relationship between the two ostensible co-leaders is a good case study in group dynamics when deference between two strong-willed individualists turns into a certain amount of compromise.
Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars.
This 4CD collection of original LPs on which Max Roach led or co-led brings together the finest work he ever performed in the company of other jazz greats. Featuring masterful albums made with such luminaries as Clifford Brown, Duke Ellington, Hank Mobley, Charles Mingus, Buddy Rich and a host of others, this collection includes 8 collaborative records, digitally remastered for the finest quality.
Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. …
Tracks 1, 7 recorded live at Billboard Live, Osaka on June 24, 2022. Tracks 8 to 10 recorded live at Tokyo Blue Note on July 2, 2022. Track 2 to 6 recorded live at Ajioka Civic Center, Aichi on July 3, 2022. Commemorating the 10th anniversary of Ai Kuwabara's debut.
Galvanized by seismic changes in the ever-evolving social and political landscape, Grammy Award-winning drummer, producer, activist and educator Terri Lyne Carrington formed her new band, Social Science, to confront a wide spectrum of social justice issues. The band’s stunning debut double album, I, immediately takes its place alongside Carrington’s most ambitious and inventive projects, expressing an inclusive and compassionate view of humanity’s common bonds through an eclectic program melding jazz, R&B, classic and indie rock, free improvisation, hip-hop and contemporary classical music.
Break Stuff features Vijay Iyer’s long-running and widely-acclaimed trio with bassist Stephan Crump and drummer Marcus Gilmore, a band in existence for eleven years now. “We keep learning from each other and from experiences and try to set challenges for ourselves so that growth is part of the equation.” It’s a group whose musical language is informed by more than the jazz piano trio tradition. While Iyer acknowledges the influence of, for instance, Ahmad Jamal, Andrew Hill and Duke Ellington’s Money Jungle album (with Charles Mingus and Max Roach) upon his own trio aesthetics, he points out that his group has also been inspired by “James Brown’s rhythm section, Hendrix’s Band of Gypsys, Miles Davis’s rhythm section, Charlie Parker’s rhythm section, soul music from the 1970s, electronic music and hip-hop from very recent times…” The list goes on.