Money Marketing 29 October 2015 Pdf

Autosport - 29 October 2015  Magazines

Posted by Inshuf at July 23, 2020
Autosport - 29 October 2015

Autosport - 29 October 2015
English | 98 pages | PDF | 73.4 MB

New Statesman - 23 - 29 October 2015  Magazines

Posted by Inshuf at Dec. 28, 2020
New Statesman - 23 - 29 October 2015

New Statesman - 23 - 29 October 2015
English | 74 pages | PDF | 61.1 MB
World Economic Outlook: October 2015, Adjusting to Lower Commodity Prices (World Economic and Financial Surveys)

World Economic Outlook: October 2015, Adjusting to Lower Commodity Prices (World Economic and Financial Surveys) By IMF Staff
2015 | 277 Pages | ISBN: 1513520733 | PDF | 9 MB

Comic Heroes UK Mag 16 Comic Heroes HQ PDF-No 25 October 2015  Comics

Posted by Kochet at March 17, 2019
Comic Heroes UK Mag 16 Comic Heroes HQ PDF-No 25 October 2015

Comic Heroes UK Mag 16 Comic Heroes HQ PDF-No 25 October 2015
PDF | 87.4 MB

New Zealand Marketing - September-October 2023  Magazines

Posted by crazy-slim at Sept. 22, 2023
New Zealand Marketing - September-October 2023

New Zealand Marketing - September-October 2023
English | 118 pages | True PDF | 21 MB
James Ehnes, Melbourne SO, Sir Andrew Davis - Hector Berlioz: Harold en Italie; Rob-Roy; Reverie et Caprice (2015)

Hector Berlioz - Harold en Italie; Rob-Roy; Rêverie et Caprice (2015)
James Ehnes, violin & viola; Melbourne Symphony Orchestra, conducted by Sir Andrew Davis

EAC | FLAC | Image (Cue&Log) ~ 242 Mb | Scans included
Genre: Classical | Label: Chandos | # CHSA 5155 | Time: 01:03:58

The nine-time Juno-winning Canadian James Ehnes is centre stage in a new recording of orchestral works by Berlioz, with the Melbourne Symphony Orchestra conducted by Sir Andrew Davis. This recording was made following an extraordinary concert in November 2014 with the same forces, in which James Ehnes played two instruments made by Stradivarius, respectively a viola in the solo part of Harold en Italie – ‘symphony with a principal viola part’, in Berlioz’s words – and a violin in the solo of Rêverie et Caprice, both of which works feature here.

T - Fragmentropy (2015)  Music

Posted by gribovar at Feb. 6, 2020
T - Fragmentropy (2015)

T - Fragmentropy (2015)
EAC Rip | FLAC (image+.cue+log) - 478 MB | MP3 CBR 320 kbps (LAME 3.93) - 177 MB | Covers - 50 MB
Genre: Progressive Rock | RAR 3% Rec. | Label: Progressive Promotion Records (PPRCD031)

German project T is the creative vehicle of composer and musician Thomas Thielen, formerly of the German band Scythe, but now with a solo career that has been ongoing ever since he released his first album using the 'T' moniker in 2002. Thomas plays all the instruments, does the vocals, lyrics, engineering, producing and recording. "Fragmentropy" is his fifth full-length production, released in 2015 by Progressive Promotion Records. "Fragmentropy" comes across as a fairly eclectic and demanding production, arguably with a foundation inside modern day neo-progressive rock and post-rock, but made with an approach that makes it hard to categorize inside any of those stylistic contexts easily…

Retailer - October 2015  Magazines

Posted by Pulitzer at Aug. 30, 2018
Retailer - October 2015

Retailer - October 2015
English | 84 pages | True PDF | 26.7 MB

Money Observer - October 2015  Magazines

Posted by Inshuf at July 24, 2020
Money Observer - October 2015

Money Observer - October 2015
English | 86 pages | PDF | 90.0 MB

!!! (Chk Chk Chk) - As If (2015) [Japanese Edition]  Music

Posted by gribovar at March 30, 2020
!!! (Chk Chk Chk) - As If (2015) [Japanese Edition]

!!! - As If (2015) [Japanese Edition]
EAC Rip | FLAC (tracks+.cue+log) - 373 MB | MP3 CBR 320 kbps (LAME 3.93) - 130 MB | Covers - 191 MB
Genre: Indie Electronic, Dance-Punk | RAR 3% Rec. | Label: Beat Records (BRC-481)

The funky, post-punky, always danceable !!! show no signs of slowing down on their sixth album, As If. Their last record, Thr!!!er, lived up to its title and this record is all-thriller, no-filler too, jammed with songs that almost dare the listener not to dance. Recorded and produced by the band with help from James Ford, Jim Eno, Ewan Pearson, Chris Coady, and Chris Woodhouse, and culled from an intense session of songwriting done by driving force Nic Offer and bassist Rafael Cohen, the album was recorded in studios around America. Despite the various locales and collaborators involved, the album is focused and tight as it deals out pounding grooves and thundering basslines. Add in wire-tight guitar, wobbling old synths, and Offer's unhinged vocals and it's vintage !!! with a little extra energy added…