Mose Allison recorded six albums as a leader for Prestige between 1957 and 1959, an era when he was better known as a jazz pianist than a folk/country blues vocalist and masterful lyricist. On his final Prestige date, Allison (in a trio with bassist Addison Farmer and drummer Ronnie Free) performs seven instrumentals (including "It's Crazy," "Autumn Song," and "Groovin' High") but it's the three vocals ("Eyesight to the Blind," "That's All Right," and Duke Ellington's "Do Nothin' 'til You Hear from Me") that are most memorable. One realizes why Allison was soon emphasizing his vocals; he was a much more distinctive singer than pianist, although his piano playing was actually pretty inventive. This is an excellent all-around set.
"What A Wonderful World Of Jazz Singing" one would like to exclaim about the content of this gathering of 21 top jazz singers and their recordings made between 1946 and 1962. A musical spectrum spreads out that comes across as dazzling and multi-layered as these singing personalities, who come from all sources of the infamous American melting pot and have driven their roots deep into all ingredients of American popular music: into the blues of the Mississippi and the metropolises, the swing of the Jazz Age and the black ghettos and the New York ballrooms, the effervescent bebop and the cool jazz of the Californian West Coast…
Fantastic 100 CD box containing a plethora of Modern Jazz recordings. In the 1950's, Jazz spread over the world. With the advent of the LP, Jazz improvisation was freed from the limitation of the old 78 three minute playing time. This gave room for deep and long artistic statements. The Jazz message conquered the scene and built new regional and stylistic centers.
Fantastic 100 CD box containing a plethora of Modern Jazz recordings. In the 1950's, Jazz spread over the world. With the advent of the LP, Jazz improvisation was freed from the limitation of the old 78 three minute playing time. This gave room for deep and long artistic statements. The Jazz message conquered the scene and built new regional and stylistic centers.
In this magnificent collection presented melodies performed by these masters of jazz piano: Scott Joplin, James P. Johnson, Eubie Blake, Mandy Randolph, Duke Ellington, Art Tatum, Joe Sullivan, Teddy Wilson, Count Basie, Oscar Peterson, Thelonious Monk, Nat King Cole and many, many others …