Nö Sleep at All is the third live album by the band Motörhead, released 15 October 1988, on the GWR label, their only live album and last release with the label as legal matters continued between the parties…
No Sleep at All is Motorhead's second "official" live album, but before you read further, be warned: the band was unhappy with the final cut and its release sparked a legal battle which marked their parting with their record company…
Released in 1981, the live album No Sleep 'Til Hammersmith recaps the highlights from the legendary run of albums Motörhead released during the prior few years, namely Overkill, Bomber, and Ace of Spades. The band's lesser self-titled debut album is also accounted for here with two inclusions ("Motörhead" and "Iron Horse"), but by and large, the focus is on the standout songs from the aforementioned trio of classics…
Motörhead in 1981 was a band of extremes; a flammable mix of non-stop celebration over their rising success and punishing graft, underscored by an inter-band powder-keg dynamic. Afterrecording Ace Of Spades, it had shot to number four in the UK; the killer breakthrough after Overkill and Bomber had done essential groundwork, late 1980’s Ace Up Your Sleeve UK tour was a triumphant lap of honour that spilled into the recording of No Sleep ‘Til Hammersmith. The album took its title from an inscription painted on one of the trucks, referencing the 32 gigs they were playing with only two days off. The track listing ended up featuring three tracks from Ace Of Spades, five from Overkill, Bomber’stitle track and two from their self-titled debut. Originally released on 27th June 1981, Lemmy is quoted as saying of it “I knew it’d be the live one that went best, because we’re really a live band. You can’t listen to a record and find out what we’re about.You’ve got to see us.” Upon release No Sleep ‘Til Hammersmith went straight to number one, their first and only in the UK and is still the most necessary live album of all time.
Oscar Peterson was one of the greatest piano players of all time. A pianist with phenomenal technique on the level of his idol, Art Tatum, Peterson's speed, dexterity, and ability to swing at any tempo were amazing. Very effective in small groups, jam sessions, and in accompanying singers, O.P. was at his absolute best when performing unaccompanied solos. His original style did not fall into any specific idiom. Like Erroll Garner and George Shearing, Peterson's distinctive playing formed during the mid- to late '40s and fell somewhere between swing and bop.
Released in 1981, the live album No Sleep 'Til Hammersmith recaps the highlights from the legendary run of albums Motörhead released during the prior few years, namely Overkill, Bomber, and Ace of Spades. The band's lesser self-titled debut album is also accounted for here with two inclusions ("Motörhead" and "Iron Horse"), but by and large, the focus is on the standout songs from the aforementioned trio of classics…
Bad record deals have plagued Motorhead's career, resulting in countless low-quality live recordings and pointless re-packagings, but 1994's Live at Brixton is one of the rare exceptions…
No Earthly Connection is a studio album by English keyboardist Rick Wakeman, released in April 1976 on A&M Records. After touring worldwide in late 1975 in support of his previous studio album The Myths and Legends of King Arthur and the Knights of the Round Table (1975), Wakeman retreated to Herouville, France to record a new studio album with his rock band, the English Rock Ensemble. He based its material on a part fictional and non-fictional autobiographical account of music that incorporates historical, futuristic, and science-fiction themes. In November 2016, the album was remastered and released on CD and vinyl with a live recording from the 1976 tour.