Motörhead Orgasmatron (1986) (us Canada 1st Press)

Another Step is the fifth studio album by British pop singer Kim Wilde, released in November 1986. The album contained her comeback worldwide hit "You Keep Me Hangin' On", which reached No.1 in the US, as well as the UK top 10 hit "Another Step (Closer to You)" and "Say You Really Want Me". The album contained 12 tracks (13 on the CD and cassette) and a varied team of songwriters, as well as Wilde herself co-writing more than half of the tracks. The first half was uptempo, whereas the second consisted of ballads. Most of the tracks were produced by Ricky Wilde, but there were also production duties fulfilled by Rod Temperton and Bruce Swedien known for working with Michael Jackson and there were also Reinhold Heil, Richard James Burgess and Dick Rudolph.

Neo-prog band Pendragon formed in London during the heady days of punk, but didn't coalesce until 1983, when the band began playing around London and earned a small spot at that year's Reading Festival. The lineup stabilized, after the 1985 album Jewel, around vocalist/guitarist Nick Barrett, bassist Peter Gee, drummer Fudge Smith and keyboard player Clive Nolan. Pendragon recorded the live album 9:15 in 1986 and began to establish a continental fan base the following year. European audiences proved enthusiastic, spawning a contract with the French M.S.I. label; nevertheless, the group was forced to form its own Toff label just to release material in England.

Starting Up is the fourth solo album by Roy Wood, who played most of the instruments and sang most of the vocals throughout, in addition to writing and producing the album. The track "On Top of the World", featured strings arranged and conducted by Louis Clark. Roy Wood is an English singer-songwriter and multi-instrumentalist. He was particularly successful in the 1960s and 1970s as member and co-founder of the Move, Electric Light Orchestra and Wizzard. As a songwriter, he contributed a number of hits to the repertoire of these bands. The BBC has described Wood as being "responsible for some of the most memorable sounds of the Seventies" and "credited as playing a major role in the Glam Rock, Psychedelic and Prog Rock movements".

At a time when many of the forgotten bands of the '70s began to resurface, Alice Cooper released Constrictor in 1986, his first album in three years. The album attempts a fresh start, which made sense, since Cooper suffered physically, creatively, and commercially over the past decade due to changing trends and alcoholism, which left his latest releases void of the energy that had made Killer and Welcome to My Nightmare so popular. For the most part, Cooper succeeded in re-establishing himself – this is arguably some of the best work he put forth in years. Nothing comes close to the songs he recorded in his '70s heyday, but what's here is surprisingly lively and sharp-witted: "Simple Disobedience" is a catchy anthem of rebellion, and "Teenage Frankenstein" is a straightforward, amusingly melodramatic rocker.

The debut from ex-Kiss guitar slinger Vinnie Vincent, is, well…hair metal through and through. It's got all the calling cards of a band that spent way too much gig money on Aqua-Net. You get the rockin' riff "I wanna party" tunes, the sleazy song or two ("Shoot You Full of Love"), screams, shreds, and drums galore. The nice thing about this record is that it lacks the obligatory ballad, which may have attracted a larger audience (i.e., girls) and pushed up the sales, but you gotta admire them for stickin' to the rock.

The most blatantly, and brilliantly, portentous of Marc Bolan's albums since the transitional blurring of boundaries that was Beard of Stars, almost seven years prior, Futuristic Dragon opens on a wave of unrelenting feedback, guitars and bombast, setting an apocalyptic mood for the record which persists long after that brief (two minutes) overture is over. Indeed, even the quintessential bop of the succeeding "Jupiter Liar" is irrevocably flavored by what came before, dirty guitars churning beneath a classic Bolan melody, and the lyrics a spiteful masterpiece. While the oddly Barry White-influenced "Ride My Wheels" continues flirting with the neo-funk basics of 1975's Bolan's Zip Gun, the widescreen sonic majesty of Futuristic Dragon was, if anything, even more gratuitously ambitious than its predecessor.

Music That You Can Dance To is the fourteenth studio album by American pop band Sparks. It was originally released in September 1986, on the label MCA in the US and Consolidated Allied in the UK, two years after their previous album, Pulling Rabbits Out of a Hat. Music That You Can Dance To released 1986 was the band's most dance music inspired album since 1979's No. 1 in Heaven. The overall sound of the album was dominated by synthesizers and sequencers like the 1979 album but it differed from that release by the inclusion of the heavily distorted bass guitar of Leslie Bohem, and the emphasis on discordant sound effects. "Music That You Can Dance To", "Fingertips" and "The Scene" represent some of Sparks' most Hi-NRG dance music leanings.

Vigilante is the sixth studio album by the English rock band Magnum, released in 1986 on Polydor. Capitalising on the success of On a Storyteller's Night, Magnum changed to a more commercial direction with Vigilante. Produced by David Richards and Queen drummer Roger Taylor, the band's sound stepped towards that of 1980s Queen, with keyboards much higher in the mix than guitar. The album was recorded at Queen's famous Mountain Studios in Montreux.