This is the prefect CD to introduce someone to Motörhead. Sure "Ace of Spades" and "Overkill" are great songs, but Motörhead is so much more than their "hits". This album embraces the more over looked gems like "Traitor", "Bad Religion", and "Cradle To The Grave"…
Although it isn't as extensive as No Remorse, All the Aces: The Best of Motörhead does gather the best-of-the-best of that collection, as well as the cream of the uneven, Bill Laswell-produced Orgasmatron (although the "Ace of Spades" remix that closes the original track listing could have been left off in favor of another, more necessary item). There's plenty of quality material from Motörhead's early-'80s heyday that didn't make the cut here, so it's better to think of All the Aces as a concise survey rather than a definitive encapsulation…
Few bands in the history of heavy metal are as road-tested as Motörhead. Since the mid-'70s, Lemmy Kilmister and whoever else was man enough to join the band's ranks have been tearing it up on the road, and are responsible for one of rock's greatest live albums of all time, 1981's No Sleep 'Til Hammersmith. As its title states, the double-disc set Keep Us on the Road: Live 1977 captures Motörhead early on – including their classic lineup of singer/bassist Kilmister, guitarist Fast Eddie Clarke, and drummer Phil "Philthy Animal" Taylor…
Motörhead have an overabundance of rarities in their vaults, as evidenced by the bonus tracks included on the 2001 Castle reissues of their early releases. Somehow, the group even had more rare tracks lying around, which comprise the 2002 double-disc set Tear Ya Down: The Rarities…
Released in 1981, the live album No Sleep 'Til Hammersmith recaps the highlights from the legendary run of albums Motörhead released during the prior few years, namely Overkill, Bomber, and Ace of Spades. The band's lesser self-titled debut album is also accounted for here with two inclusions ("Motörhead" and "Iron Horse"), but by and large, the focus is on the standout songs from the aforementioned trio of classics…
Bad record deals have plagued Motorhead's career, resulting in countless low-quality live recordings and pointless re-packagings, but 1994's Live at Brixton is one of the rare exceptions…
This particular Best of Motörhead release is a double-disc set on the Sanctuary subsidiary Metal-Is, and it's one of the very, very few Motörhead collections that tries to draw material from throughout the band's career. The compilers couldn't secure the rights to everything, and as such, there's nothing here from albums like 1916 or Bastards. But there are tracks from the later Overnight Sensation, Snake Bite Love, and We Are Motörhead albums, plus four bonus live tracks dating from various points in the group's career…
Like AC/DC, Motörhead rarely stray from their niche, crafting reliable records from a punk metal template that began in 1977 with their self-titled debut. Inferno is no exception, as the sum of its parts does little to deviate from the formula. Opening with the blistering "Terminal Show" – marking the first of two appearances by guitar legend Steve Vai – Lemmy, Philip, and Mikkey burn through 12 raucous blues-rock fist-pumpers with the energy of a trio of wily twentysomethings. Lemmy's gruff vocal style is ageless; as "f*ck you" now as it was on "Ace of Spades." All of the classic Motörhead themes are present; there's sticking-it-to-the-man ("Life's a Bitch"), murder and death ("Smiling Like a Killer"), and sex (the surprise back porch acoustic jam "Whorehouse Blues")…