Mountainbike From Werkstatt Special N 01, 2016

Quintessence was the great underground band of the 1970s. Formed in March 1969, they were quickly signed to Island Records and later that year released their debut album, In Blissful Company. Between 1969-71, Quintessence, a counterculture phenomenon, made three albums for Island Records. Now, recently sourced from Island's multi-track tapes and digitised at Abbey Road Studios, this packed 2CD set reveals a wealth of stunning, hitherto unheard recordings in pristine studio sound.

Quintessence was the great underground band of the 1970s. Formed in March 1969, they were quickly signed to Island Records and later that year released their debut album, In Blissful Company. Between 1969-71, Quintessence, a counterculture phenomenon, made three albums for Island Records. Now, recently sourced from Island's multi-track tapes and digitised at Abbey Road Studios, this packed 2CD set reveals a wealth of stunning, hitherto unheard recordings in pristine studio sound.

Quintessence was the great underground band of the 1970s. Formed in March 1969, they were quickly signed to Island Records and later that year released their debut album, In Blissful Company. Between 1969-71, Quintessence, a counterculture phenomenon, made three albums for Island Records. Now, recently sourced from Island's multi-track tapes and digitised at Abbey Road Studios, this packed 2CD set reveals a wealth of stunning, hitherto unheard recordings in pristine studio sound.

Syrinx’s path veered from the dominant modes of ‘70s subculture, their version of chamber pop hybridized with wild, whimsical electronic experimentation charting new territory in the under and overground.
Formed by composer John Mills-Cockell after the dissolution of Intersystems, Syrinx’s two adventurous albums, Syrinx and Long Lost Relatives, endorsed the poetic potential of the avant-garde, subverting a turn of the ‘60s trend toward technological pageantry.
Tumblers From The Vault presents these two albums alongside the trio's unheard music, revisiting the Syrinx story and sharing their memorable, mind-bending melodies.

The ex-Blumfeld-singer released the album Songs From The Bottom Vol. 1. The album that was produced with Swen Meyer contains cover versions of artists like Britney Spears, Lana Del Rey, Radiohead, The Verve and many more. Jochen Distelmeyer will promote the album on an extensive tour. Jochen Distelmeyer is a German singer and songwriter. He was born 1967 in Bielefeld, Germany. From 1990 to 2007, Jochen Distelmeyer fronted one of Germany's premiere indie rock bands. Named after a Kafka short story, Blumfeld made music that was experimental, political, and – in contrast to many bands from the same era – performed almost entirely in German.

Active as a soloist and as a member of leading early music groups worldwide, Mime Yamahiro Brinkmann has appeared on a number of BIS releases, often being singled out in reviews for her performances as continuo player and soloist. For her first solo disc, she has devised a programme illustrating the rise of the cello – from its beginnings as a large-bodied, deep-voiced provider of accompaniments in church music to a glittering, flittering solo instrument of the Rococo. The programme begins with some of the earliest repertoire for the instrument – two unaccompanied pieces by Domenico Galli and Giovanni Battista degli Antonii, and a solo sonata by Domenico Gabrielli, all hailing from around 1690.